In Death 28 - Promises in Death

look like him. Not a lot of him in here, though. They probably spent more time at his place. It’s about four times as big as this, and the location’s prime for cafés, clubs, restaurants, galleries. How’d the killer know she was in last night? Stalking her? I should’ve asked Morris how often they were together, if they had a routine.”
    “Dallas, you gave him a break. Gave him a little time. We’ll follow up.”
    “The killer didn’t come in here. Too risky. Why chance being seen? No, no, he tagged her on her pocket ’link.”
    “They could’ve set up a meet prior.”
    “Why risk that? She might tell somebody—Morris, her partner, her boss. I’m meeting X tonight, and then we’d be talking to X instead of wondering who the hell he is. Morris was working, she’d have known that. So she’s not going to tag him at that hour and tell him she’s headed out for something. She just gets her stuff, turns off her cat, and goes. She knew her killer, or whoever set it up.
    “Let’s get the sweepers in here, and have EDD pick up her electronics.” She checked her wrist unit. “We’ll go by the morgue before notifying next of kin.”
    “I’ll do that. You told Morris,” Peabody added. “I’ll tell her family.”
    “Okay. Then we’ll both talk to her partner, her squad, her boss.”
    In the car, Peabody sat slumped in the seat, staring out the side window. “Dallas? I got this thing eating at me, and I just want to get it out.”
    “You felt bitchy and resentful because she hooked up with Morris.”
    “Yeah.” Peabody let out the word, like relief. “I didn’t even know her, hardly at all, and I let myself think, like, who the hell is she, sashaying—I even thought the word sashay, because she was from the South—in here and getting all smoochy with our Morris? Stupid, because I’m with McNab and never had a thing with Morris anyway, except the occasional perfectly permissible and healthy fantasy. But I decided I didn’t like her, just for that. And now she’s dead and I feel like crap about it.”
    “I know. I’ve got the same thing going. Except for the fantasy part.”
    “I guess that makes me feel a little better.” She scooted up again, studied Eve’s profile. “You really never had the teeniest fantasy about Morris?”
    “No. Jeez.”
    “Just a little one. Like you’d go to the morgue one night, and it’s strangely empty, so you go into the main cutting room and Morris is there. Naked.”
    “No! Stop filling my head with that crap.” But oddly, some of the sick weight in Eve’s belly eased. “Don’t you and McNab bang often enough to keep you from having prurient fantasies about a colleague? In the freaking dead house?”
    “I don’t know why. The morgue’s creepy, but Morris is severely sexy. McNab and I bang plenty. Just last night we—”
    “I don’t want to hear about you and McNab banging.”
    “You brought it up.”
    “Which illustrates how your sick Morris fantasies screwed up my mental health.”
    Peabody shrugged that off. “Did Morris put anybody on Coltraine, specifically?”
    “Clipper.”
    “Die-For-Ty? Talk about the sex. How come so many death doctors are wholly iced?”
    “A mystery I’ve pondered throughout my career.”
    “No, seriously. Clipper’s like ummm. He’s gay and has a partner, but a yummy treat for the eyes. His partner’s an artist. He paints people, literally I mean. Body painting. They’ve been together about six years.”
    “How do you know all this stuff?”
    “Unlike you, I enjoy hearing about people’s personal lives, especially when it involves sex.”
    “At least since Clipper’s not into women, you won’t be troubled by sexual fantasies.”
    Peabody pursed her lips in thought. “I can work with it. Two naked guys, body paints, me. Oh yeah, endless possibilities.”
    Eve let Peabody have her moment. Easier, she knew, to think about crazy sex than the murder of another cop, than the grief of a colleague and friend.
    The moment passed soon enough. Once they arrived at the morgue, started down the long white-tiled tunnel, the mood shifted. It wasn’t just death, it wasn’t just murder. Nipping and gnawing at objectivity were the keen teeth of personal loss.
    They crossed paths with a tech who stopped, slid her hands into the pockets of her long, white coat. “Ah, Clipper’s using Morris’s suite. I don’t know if he—if Morris is going to check in or anything, so maybe when you talk to him you could