In the Heart of the Sea

ground. In the case of the Essex, the masts and their wind-pressed sails became levers prying the hull toward the point of no return, forcing it over until the tips of the yards were buried in the water. The Essex had been rolled almost ninety degrees onto her side—knocked over on her “beam-ends,” in the language of the sea.
    Those on deck clung to the nearest fixture, fearful that they might fall down into the lee scuppers, now under knee-deep water. Those below deck did their best to shield themselves from objects falling down around them. If he hadn’t abandoned it already, the ship’s cook was doing his best to scramble out of the cookhouse, the heavy stove and cookware threatening to burst through its frail wooden sides. The two whaleboats on the Essex ’s port side had disappeared beneath the waves, pressed underwater by the massive weight of the capsized ship. According to Chase, “The whole ship’s crew were, for a short time thrown into the utmost consternation and confusion.”
    Yet amid all the chaos there was, at least on deck, a sudden sense of calm. When a ship suffers a knockdown, her hull acts as a barrier against the wind and rain. Even though the ship had been slammed against the water, the men were temporarily sheltered from the howling forces of the wind. Pollard took the opportunity to pull the crew back together. “[T]he cool and undismayed countenance of the captain,” Nickerson remembered, “soon brought all to their sober senses.” The order was given to let go all the halyards and let the sheets run, but “the ship lay so far upon her side that nothing would run down as desired.”
    If the squall continued to pin her on her beam-ends, the ship would begin to settle into the water as the sea rushed into the hull through her open hatchways. The longer she was over on her side, the greater the chances of the ballast and stores in her hold shifting to leeward, a disastrous turn of events from which she might never recover. Already the waves had wiped the cookhouse almost completely off the deck. As a last resort, it might be necessary to cut away the masts.
    The rain poured down and the lightning flashed, and time slowed to a crawl as the men clung to the weather rail. But before the axes came into play, the ship twitched back to life. The men could feel it in their hands and feet and in the pits of their stomachs—an easing of the awful strain. They waited for another gust to slam the ship back down again. But no—the ballast continued to exert its gravitational pull, lifting the three masts until the yards came clear of the water. As the masts swung into the sky, seawater rushed across the deck and out the scuppers. The Essex shuddered to the vertical and was a ship again.
    Now that the hull was no longer acting as a shield, the officers quickly realized that the squall had passed. But even if the wind had diminished, it was still blowing hard. The ship’s bow was now pointed into the wind, the sails blown back against the masts. The rigging creaked in an eerie, unfamiliar way as the hull wallowed in the rain-whipped waves. The deck shifted, and the green hands temporarily lost their balance. This time the ship wasn’t going over, she was going backward, water boiling up over the quarterdeck as her broad transom was pushed back against the waves, pummeling the spare whaleboat stored off the stern.
    Going backward in a square-rigged ship was dangerous. The sails were plastered against the masts, making it almost impossible to furl them. The pressure placed an immense amount of strain on the stays and spars. Since the rigging had not been designed for loads coming from this direction, all three masts might come tumbling down, domino fashion, across the deck. Already the windows in the stern were threatening to burst open and flood the captain’s cabin. There was also the danger of breaking the ship’s tall, narrow rudder, which became useless as water pressed against it.
    Eventually, the Essex ’s bow fell off to leeward, her sails filled, and she was once again making forward progress. Now the crew could do what they should have done before the storm—shorten sail.
    As the men aloft wrestled with the canvas, the wind shifted into the northwest and the skies began to brighten. But the mood aboard the Essex sank into one of gloom. The ship had been severely damaged. Several sails, including both the main topgallant and the studding sail, had been torn into useless tatters.