K Is for Killer

molding.
    The address I had turned out to be a "modern" fourplex of shaggy brown shingles sandwiched between two Victorian frame houses. The streetlight was burned out, and I was left to surmise that one was painted dull red, the other an indigo blue with (perhaps) white trim. In the dark, both appeared to be shades of muddy gray. I talked to a painter once who worked on movie sets. For a film shot in black and white, he said the crew used brown paint in eleven different shades. My current surroundings had the same feel, an environment drained of color, reduced to tones of chestnut and dun. The gradations were infinite but visible only to night souls.
    Turpin apparently occupied a second-floor apartment, and I was gratified to note that the hand-lettered card tucked in the slot actually specified "Russell" by name, along with a housemate named Cherie Stanislaus. I peered through the glass door at a handsomely papered foyer with an apartment door on either side. At the rear, a stairway angled left and out of sight, probably doubling back on itself to an identical hallway above. I moved out to the street and looked up at the second-floor windows. The front rooms on both sides of the building were lighted, which suggested that the occupants were still awake.
    As I moved up the stairs to the entrance, I could hear the tapping of high heels approaching from behind me. I paused, looking back. The blonde coming up the stairs wore makeup so pale, the effect was ghostly. Her eyes were elaborately done up with thick false eyelashes, two shades of eye shadow, and a black pencil line on both her upper and lower lids. Her forehead was high, and her hair was teased upward at the crown, held back with a gaudy Rhinestone clip. The rest of her hair was long and straight, splitting at the shoulder so that half extended down her back. A cluster of long curls tumbled over her breasts. Her long dangle earrings were shaped like elongated question marks. She wore a dark leotard on top and a slinky black skirt that was split up one side. Her hips were narrow, her stomach flat. She took out a ring of keys and gave me a long, cool look as she unlocked the foyer door. "Looking for someone?"
    "Russell Turpin."
    "Well, you've come to the right place." Her smile was self-contained, not unfriendly, but less than warm I thought. "He's not here, but you can come up and wait if you want. I'm his roommate."
    "Thanks. You're Cherie?"
    "That's right. Who are you, pray tell?"
    "Kinsey Millhone," I said. "I left a message on your machine...."
    "I remember that. You're Lorna's friend," she said. She pushed the door open, and I followed her in. She paused, making sure the door had latched shut again before she headed up the stairs. I trailed behind. Having lied on the phone, I now had to decide whether to play this straight.
    "Actually, Lorna and I never met," I said. "I'm a private investigator looking into her death. You knew she'd been killed?"
    "Yes, of course we did. I'm happy to hear you mention it. Russell wasn't looking forward to delivering the bad news about Lorna's death." Her stockings were black mesh, and her three-inch stiletto heels forced her calves into high relief. When we reached the second-floor landing, she unlocked the door to apartment C. She stepped out of her shoes with a little grimace of relief, then padded through the living room in her stocking feet. I thought she'd turn on a table lamp, but apparently she preferred the gloom. "Make yourself comfortable," she said.
    "You have any idea what time he'll be home?"
    "Any time, I'd imagine. He doesn't like staying out too late." She turned on a light in the kitchen, which was visible through bifold shutters resting on the countertop. She pushed the shutters open. Through the gap, I watched her take out two ice-cube trays, which she cracked and emptied into an acrylic ice bucket. "I'm having a drink. If you want one, speak up. I hate playing hostess, but I'm good for one round. I have a bottle of Chardonnay open, if you're interested. You look like a white wine kind of girl."
    "I'd love some. You need help?"
    "Don't we all?" she remarked. "You have offices in the city?"
    "I'm from Santa Teresa."
    She tilted her head, peering through the pass-through at me. "Why would you come all the way up to see Russell? He's not a suspect, I hope."
    "Are you his girlfriend?" I thought it was time I posed the questions instead of her.
    "I wouldn't say that. We're fond of each other, but we're not