Lolita
bottom, which to my confused adversary was all ooze and squid-cloud. Similarly, the initial tennis coaching I had inflicted on Lolita—prior to the revelations that came to her through the great Californian’s lessons—remained in my mind as oppressive and distressful memories—not only because she had been so hopelessly and irritatingly irritated by every suggestion of mine—but because the precious symmetry of the court instead of reflecting the harmonies latent in her was utterly jumbled by the clumsiness and lassitude of the resentful child I mistaught. Now things were different, and on that particular day, in the pure air of Champion, Colorado, on that admirable court at the foot of steep stone stairs leading up to Champion Hotel where we had spent the night, I felt I could rest from the nightmare of unknown betrayals within the innocence of her style, of her soul, of her essential grace.
She was hitting hard and flat, with her usual effortless sweep, feeding me deep skimming balls—all so rhythmically coordinated and overt as to reduce my footwork to, practically, a swinging stroll—crack players will understand what I mean. My rather heavily cut serve that I had been taught by my father who had learned it from Decugis or Borman, old friends of his and great champions, would have seriously troubled my Lo, had I really tried to trouble her. But who would upset such a lucid dear? Did I ever mention that her bare arm bore the 8 of vaccination? That I loved her hopelessly? That she was only fourteen?
An inquisitive butterfly passed, dipping, between us.
Two people in tennis shorts, a red-haired fellow only about eight years my junior, with sunburnt bright pink shins, and an indolent dark girl with a moody mouth and hard eyes, about two years Lolita’s senior, appeared from nowhere. As is common with dutiful tyros, their rackets were sheathed and framed, and they carried them not as if they were the natural and comfortable extensions of certain specialized muscles, but hammers or blunderbusses or wimbles, or my own dreadful cumbersome sins. Rather unceremoniously seating themselves near my precious coat, on a bench adjacent to the court, they fell to admiring very vocally a rally of some fifty exchanges that Lo innocently helped me to foster and uphold—until there occurred a syncope in the series causing her to gasp as her overhead smash went out of court, whereupon she melted into winsome merriment, my golden pet.
I felt thirsty by then, and walked to the drinking fountain; there Red approached me and in all humility suggested a mixed double. “I am Bill Mead,” he said. “And that’s Fay Page, actress. Maffy On Say”—he added (pointing with his ridiculously hooded racket at polished Fay who was already talking to Dolly). I was about to reply “Sorry, but—” (for I hate to have my filly involved in the chops and jabs of cheap bunglers), when a remarkably melodious cry diverted my attention: a bellboy was tripping down the steps from the hotel to our court and making me signs. I was wanted, if you please, on an urgent long distance call—so urgent in fact that the line was being held for me. Certainly. I got into my coat (inside pocket heavy with pistol) and told Lo I would be back in a minute. She was picking up a ball—in the continental foot-racket way which was one of the few nice things I had taught her,—and smiled—she smiled at me!
An awful calm kept my heart afloat as I followed the boy up to the hotel. This, to use an American term, in which discovery, retribution, torture, death, eternity appear in the shape of a singularly repulsive nutshell, was
it.
I had left her in mediocre hands, but it hardly mattered now. I would fight, of course. Oh, I would fight. Better destroy everything than surrender her. Yes, quite a climb.
At the desk, a dignified, Roman-nosed man, with, I suggest, a very obscure past that might reward investigation, handed me a message in his own hand. The line had not been held after all. The note said:
“Mr. Humbert. The head of Birdsley (sic!) School called. Summer residence—Birdsley 2-8282. Please call back immediately. Highly important.”
I folded myself into a booth, took a little pill, and for about twenty minutes tussled with space-spooks. A quartet of propositions gradually became audible: soprano, there was no such number in Beardsley; alto, Miss Pratt was on her way to England; tenor, Beardsley School had not telephoned; bass, they could not
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