Midnight

mechanism, useful in a way that love and joy and hope and affection were not. He was afraid right now, in fact. Afraid of the regressives. Afraid that the Moonhawk Project would somehow be revealed to the outside world and be crushed—and him with it. Afraid of his only master, Shaddack. Sometimes, in fleeting bleak moments, he was afraid of himself, too, and of the new world coming.

24
    Moose dozed in a corner of the unlighted bedroom. He chuffed in his sleep, perhaps chasing bushy-tailed rabbits in a dream—although, being the good service dog that he was, even in his dreams he probably ran errands for his master.
    Belted in his stool at the window, Harry leaned to the eyepiece of the telescope and studied the back of Callan's Funeral Home over on Juniper Lane, where the hearse had just pulled into the service drive. He watched Victor Callan and the mortician's assistant, Ned Ryedock, as they used a wheeled gurney to transfer a body from the black Cadillac hearse into the embalming and cremation wing. Zippered inside a half-collapsed, black plastic body bag, the corpse was so small that it must have been that of a child. Then they closed the door behind them, and Harry could see no more.
    Sometimes they left the blinds raised at the two high, narrow windows, and from his elevated position Harry was able to peer down into that room, to the tilted and guttered table on which the dead were embalmed and prepared for viewing. On those occasions he could see much more than he wanted to see. Tonight, however, the blinds were lowered all the way to the windowsills.
    He gradually shifted his field of vision southward along the fog-swaddled alley that served Callan's and ran between Conquistador and Juniper. He was not looking for anything in particular, just slowly scanning, when he saw a pair of grotesque figures. They were swift and dark, sprinting along the alley and into the large vacant lot adjacent to the funeral home, running neither on all fours nor erect, though closer to the former than the latter.
    Boogeymen.
    Harry's heart began to race.
    He'd seen their like before, three times in the past four weeks, though the first time he had not believed what he had seen. They had been so shadowy and strange, so briefly glimpsed, that they seemed like phantoms of the imagination; therefore he named them Boogeymen.
    They were quicker than cats. They slipped through his field of vision and vanished into the dark, vacant lot before he could overcome his surprise and follow them.
    Now he searched that property end to end, back to front, seeking them in the three- to four-foot grass. Bushes offered concealment too. Wild holly and a couple of clumps of chaparral snagged and held the fog as if it were cotton.
    He found them. Two hunched forms. Man-size. Only slightly less black than the night. Featureless. They crouched together in the dry grass in the middle of the lot, just to the north of the immense fir that spread its branches (all high ones) like a canopy over half the property.
    Trembling, Harry pulled in even tighter on that section of the lot and adjusted the focus. The Boogeymen's outlines sharpened. Their bodies grew paler in contrast to the night around them. He still could not see any details of them because of the darkness and eddying mist.
    Although it was quite expensive and tricky to obtain, he wished that through his military contacts he had acquired a TeleTron, which was a new version of the Star Tron night-vision device that had been used by most armed services for years. A Star Tron took available light—moonlight, starlight, meager electric light if any, the vague natural radiance of certain minerals in soil and rocks—and amplified it eighty-five thousand times. With that single-lens gadget, an impenetrable nightscape was transformed into a dim twilight or even late-afternoon grayness. The Tele-Tron employed the same technology as the Star Tron, but it was designed to be fitted to a telescope. Ordinarily, available light was sufficient to Harry's purposes, and most of the time he was looking through windows into well-lighted rooms; but to study the quick and furtive Boogeymen, he needed some high-tech assistance.
    The shadowy figures looked west toward Juniper Lane, then north toward Callan's, then south toward the house that, with the funeral home, flanked that open piece of land. Their heads turned with a quick, fluid movement that made Harry think of cats, although they were definitely not