Midnights Children

myself.
    Who listed, for my benefit, the occult powers of snakes? (Their shadows kill cows; if they enter a man’s dreams, his wife conceives; if they are killed, the murderer’s family is denied male issue for twenty generations.) And who described to me—with the aid of books and stuffed corpses—the cobra’s constant foes? “Study your enemies, child,” he hissed, “or they will surely kill you.” … At Schaapsteker’s feet, I studied the mongoose and the boar, the dagger-billed adjutant bird and the barasinha deer, which crushes snakes’ heads under its feet; and the Egyptian ichneumon, and ibis; the four-feet-high secretary bird, fearless and hook-beaked, whose appearance and name made me think suspicious thoughts about my father’s Alice Pereira; and the jackal buzzard, the stink cat, the honey ratel from the hills; the road runner, the peccary, and the formidable cangamba bird. Schaapsteker, from the depths of his senility, instructed me in life. “Be wise, child. Imitate the action of the snake. Be secret; strike from the cover of a bush.”
    Once he said: “You must think of me as another father. Did I not give you your life when it was lost?” With this statement he proved that he was as much under my spell as I under his; he had accepted that he, too, was one of that endless series of parents to whom I alone had the power of giving birth. And although, after a time, I found the air in his chambers too oppressive, and left him once more to the isolation from which he would never again be disturbed, he had shown me how to proceed. Consumed by the two-headed demon of revenge, I used my telepathic powers (for the first time) as a weapon; and in this way I discovered the details of the relationship between Homi Catrack and Lila Sabarmati. Lila and Pia were always rivals in beauty; it was the wife of the heir-apparent to the title of Admiral of the Fleet who had become the film magnate’s new fancy-woman. While Commander Sabarmati was at sea on manoeuvres, Lila and Homi were performing certain maneuvers of their own; while the lion of the seas awaited the death of the then-Admiral, Homi and Lila, too, were making an appointment with the Reaper. (With my help.)
    “Be secret,” said Sharpsticker Sahib; secretly, I spied on my enemy Homi, and on the promiscuous mother of Eyeslice and Hairoil (who were very full of themselves of late, ever since, in fact, the papers announced that Commander Sabarmati’s promotion was a mere formality.
Only a matter of time
…). “Loose woman,” the demon within me whispered silently, “Perpetrator of the worst of maternal perfidies! We shall turn you into an awful example; through you we shall demonstrate the fate which awaits the lascivious. O unobservant adulteress! Did you not see what sleeping around did to the illustrious Baroness Simki von der Heiden?—who was, not to put too fine a point upon it, a bitch, just like yourself.”
    My view of Lila Sabarmati has mellowed with age; after all, she and I had one thing in common—her nose, like mine, possessed tremendous powers. Hers, however, was a purely worldly magic: a wrinkle of nasal skin could charm the steeliest of Admirals; a tiny flare of the nostrils ignited strange fires in the hearts of film magnates. I am a little regretful about betraying that nose; it was a little like stabbing a cousin in the back.
    What I discovered: every Sunday morning at ten a.m., Lila Sabarmati drove Eyeslice and Hairoil to the Metro cinema for the weekly meetings of the Metro Cub Club. (She volunteered to take the rest of us, too; Sonny and Cyrus, the Monkey and I piled into her Indian-made Hindustan car.) And while we drove towards Lana Turner or Robert Taylor or Sandra Dee, Mr. Homi Catrack was also preparing himself for a weekly rendezvous. While Lila’s Hindustan puttered along beside railway-lines, Homi was knotting a cream silk scarf around his throat; while she halted at red lights, he donned a Technicolored bush-coat; when she was ushering us into the darkness of the auditorium, he was putting on gold-rimmed sunglasses; and when she left us to watch our film, he, too, was abandoning a child. Toxy Catrack never failed to react to his departures by wailing kicking thrashing-of-legs; she knew what was going on, and not even Bi-Appah could restrain her.
    Once upon a time there were Radha and Krishna, and Rama and Sita, and Laila and Majnu; also (because we are not unaffected by the West) Romeo and Juliet, and