Mockingjay

away, but stop for just a few moments to stuff pockets with food and first-aid supplies. “Stay together,” I say at the front door. Then we march right into the street. Snow flurries have begun to fall. Agitated people swirl around us, speaking of rebels and hunger and me in their affected Capitol accents. We cross the street, pass a few more apartments. Just as we turn the corner, three dozen Peacekeepers sweep past us. We hop out of their way, as the real citizens do, wait until the crowd returns to its normal flow, and keep moving. “Cressida,” I whisper. “Can you think of anywhere?”
    “I’m trying,” she says.
    We cover another block, and the sirens begin. Through an apartment window, I see an emergency report and pictures of our faces flashing. They haven’t identified who in our party died yet, because I see Castor and Finnick among the photos. Soon every passerby will be as dangerous as a Peacekeeper. “Cressida?”
    “There’s one place. It’s not ideal. But we can try it,” she says. We follow her a few more blocks and turn through a gate into what looks like a private residence. It’s some kind of shortcut, though, because after walking through a manicured garden, we come out of another gate onto a small back street that connects two main avenues. There are a few poky stores — one that buys used goods, another that sells fake jewelry. Only a couple of people are around, and they pay no attention to us. Cressida begins to babble in a high-pitched voice about fur undergarments, how essential they are during the cold months. “Wait until you see the prices! Believe me, it’s half what you pay on the avenues!”
    We stop before a grimy storefront filled with mannequins in furry underwear. The place doesn’t even look open, but Cressida pushes through the front door, setting off a dissonant chiming. Inside the dim, narrow shop lined with racks of merchandise, the smell of pelts fills my nose. Business must be slow, since we’re the only customers. Cressida heads straight for a hunched figure sitting in the back. I follow, trailing my fingers through the soft garments as we go.
    Behind a counter sits the strangest person I’ve ever seen. She’s an extreme example of surgical enhancement gone wrong, for surely not even in the Capitol could they find this face attractive. The skin has been pulled back tightly and tattooed with black and gold stripes. The nose has been flattened until it barely exists. I’ve seen cat whiskers on people in the Capitol before, but none so long. The result is a grotesque, semi-feline mask, which now squints at us distrustfully.
    Cressida takes off her wig, revealing her vines. “Tigris,” she says. “We need help.”
    Tigris. Deep in my brain, the name rings a bell. She was a fixture — a younger, less disturbing version of herself — in the earliest Hunger Games I can remember. A stylist, I think. I don’t remember for which district. Not 12. Then she must have had one operation too many and crossed the line into repellence.
    So this is where stylists go when they’ve outlived their use. To sad theme underwear shops where they wait for death. Out of the public eye.
    I stare at her face, wondering if her parents actually named her Tigris, inspiring her mutilation, or if she chose the style and changed her name to match her stripes.
    “Plutarch said you could be trusted,” adds Cressida.
    Great, she’s one of Plutarch’s people. So if her first move isn’t to turn us in to the Capitol, it will be to notify Plutarch, and by extension Coin, of our whereabouts. No, Tigris’s shop is not ideal, but it’s all we have at the moment. If she’ll even help us. She’s peering between an old television on her counter and us, as if trying to place us. To help her, I pull down my scarf, remove my wig, and step closer so that the light of the screen falls on my face.
    Tigris gives a low growl, not unlike one Buttercup might greet me with. She slinks down off her stool and disappears behind a rack of fur-lined leggings. There’s a sound of sliding, and then her hand emerges and waves us forward. Cressida looks at me, as if to ask Are you sure? But what choice do we have? Returning to the streets under these conditions guarantees our capture or death. I push around the furs and find Tigris has slid back a panel at the base of the wall. Behind it seems to be the top of a steep stone stairway. She gestures for me to enter.
    Everything about the situation