Modern Mind

Eribon, Op.
cit.,
pages 269ft. And Philp,
Op. cit.,
pages 74–76 for ‘power relations,’ 78 for our ‘patternless’ condition.
    29. Jean Piaget,
Structuralism,
London: Routledge & Kegan Paul, 1971. Translator: Chaninah Maschler.
    30. Piaget, Op.
cit.,
page 68.
    31.
Ibid.,
page 62.
    32.
Ibid.,
page 103.
    33.
Ibid.,
page 117.
    34. David Hoy, ‘Derrida’, in Quentin Skinner (editor),
Op. cit.,
page 45.
    35. Christopher Johnson,
Derrida,
London: Phoenix, 1997, page 6.
    36.
Ibid.,
page 7.
    37. Geoffrey Benington and Jacques Derrida,
Jacques Derrida,
Chicago: University of Chicago Press, 1993, pages 42–43. See also the physical layout of this book as it reflects some of Derrida’s ideas. Johnson, Op.
cit.,
page 10.
    38. Johnson, Op.
cit.,
page 4.
    39.
Ibid.,
page 28.
    40. Benington and Derrida, Op.
cit.,
pages 133— 148.
    41. Johnson, Op.
cit.,
pages 51ff, Hoy, Op.
cit.,
pages 47ff.
    42.
Ibid.,
page 51.
    43. Benington and Derrida, Op.
cit.,
pages 23–42.
    44. See the essay
‘Differance’
in Jacques Derrida,
Margins of Philosophy,
London: Harvester Press, 1982, pages 3–27.
    45. Cantor,
Op. cit.,
pages 304–305; see also Susan James, ‘Louis Althusser,’ in Skinner (editor), Op.
cit.,
page 151.
    46. Susan James, ‘Louis Althusser’, in Skinner (editor),
Op. cit.,
pages 144 and 148.
    47. Louis Althusser,
Lenin and Philosophy, and Other Essays,
London: New Left Books, 1971, translated from the French by Ben Brewster, pages 135ff and 161–168. See also: Kevin McDonnell and Kevin Robins, ‘Marxist Cultural Theory: The Althusserian Smokescreen,’ in Simon Clark
et al.
(editors),
One-Dimensional Marxism: Althusser and the Politics of Culture, London and New York: Alison & Busby, 1980, pages 157ff. James, Op. cit., pages 152–153.
    48. For a detailed discussion of ideology and its applications, see: Louis Althusser,
Philosophy and Spontaneous Philosophy of the Scientists,
London and New York: Verso, 1990, pages 73ft
    49. Anthony Giddens, ‘Jurgen Habermas’, in Skinner (editor), Op.
cit.,
page 123.
    50. See: Jürgen Habermas,
Post-Metaphysical Thinking: Philosophical Essays,
London: Polity, 1993, especially essay three. Giddens, in Skinner (editor), Op.
cit.,
pages 124–125.
    51. Giddens, Op.
cit.,
page 126.
    52.
Rick Roderick, Habermas and the Foundations of Critical Theory, London: Macmillan, 1986, page 56.
    53. Giddens,
Op. cit.,
page 127.
    54.
Ibid.
    55. Louis-Jean Calvet,
Roland Barthes: A Biography,
London: Polity, 1994. Translator: Sarah Wykes, especially pages 97ff and 135ff.
    56. Roland Barthes,
Mythologies,
London: Jonathan Cape, 1972, paperback 1993. Selected and translated by Annette Lavers.
    57.
Ibid.,
page 98.
    58. Roland Barthes,
Image, Music, Text,
London: Fontana, 1977, pages 142ff Translator: Stephen Heath.
    59. Roland Barthes,
The Pleasure of the Text,
New York: Farrar, Straus & Giroux, 1975, page 16. Translator: Richard Miller.
    60.
Ibid.,
page 17.
    61. Barthes’ biographer asks the pointed question as to who will be remembered best out of the two French intellectuals who died in 1984 – Barthes or Sartre? The latter was undoubtedly more famous in life but … See Calvet, Op.
cit.,
page 266.
    62. Thompson and Bordwell,
Film History, Op. cit.,
page 493.
    63. Robin Buss,
French Film Noir,
London and New York: Marion Boyars, 1994, pages 139–141 and 506–509.
    64.
Ibid.,
pages 510–512.
    65. Truffaut thought he was heavy-handed. See: Gilles Jacob and Claude de Givray,
Francois Truffaut – Letters,
London: Faber, 1989, page 187. Thompson and Bordwell,
Op. cit.,
page 511.
    66. For a filli list see the table in Thompson and Bordwell,
Op. cit.,
page 522.
    67. At one point, Jerome Robbins wanted to make a ballet out of ‘400 Blows’. See Jacob and Givray (editors),
Op. cit.,
page 158.
    68. Thompson and Bordwell, Op.
cit.,
pages 523— 525.
    69.
Ibid.,
pages 528–529.
    70. Ambiguous yes, but Truffaut thought the film had been well understood by audiences. See: Jacob and Givray (editors),
Op. cit.,
page 426. See also: Thompson and Bordwell, Op.
cit.,
pages 524–525.
    71. See Richard Roud,
Jean-Luc Godard,
London: Secker & Warburg in association with BFI, 1967,page 48, for Godard’s philosophy on story-telling. James Pallot and Jacob Levich (editors),
The Fifth Virgin Film Guide,
London: Virgin, 1996, page 83.
    72. Thompson and Bordwell,
Op.
cit., pages 519–522.
    73.
Ibid.,
page 529. Pallot and Levich,
Op. cit.,
page 376, point out that at another level it is a parody