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Pnin

Pnin

Titel: Pnin Kostenlos Bücher Online Lesen
Autoren: Vladimir Nabokov
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teacher, Pnin was far from being able to compete with those stupendous Russian ladies, scattered all over academic America, who, without having had any formal training at all, manage somehow, by dint of intuition, loquacity, and a kind of maternal bounce, to infuse a magic knowledge of their difficult and beautiful tongue into a group of innocent-eyed students in an atmosphere of Mother Volga songs, red caviare, and tea; nor did Pnin, as a teacher, ever presume to approach the lofty halls of modern scientific linguistics, that ascetic fraternity of phonemes, that temple wherein earnest young people are taught not the language itself, but the method of teaching others to teach that method; which method, like a waterfall splashing from rock to rock, ceases to be a medium of rational navigation but perhaps in some fabulous future may become instrumental in evolving esoteric dialects - Basic Basque and so forth - spoken only by certain elaborate machines. No doubt Pnin's approach to his work was amateurish and light-hearted, depending as it did on exercises in a grammar brought out by the Head of a Slavic Department in a far greater college than Waindell - a venerable fraud whose Russian was a joke but who would generously lend his dignified name to the products of anonymous drudgery. Pnin, despite his many shortcomings, had about him a disarming, old-fashioned charm which Dr Hagen, his staunch protector, insisted before morose trustees was a delicate imported article worth paying for in domestic cash. Whereas the degree in sociology and political economy that Pnin had obtained with some pomp at the University of Prague around 1925 had become by mid century a doctorate in desuetude, he was not altogether miscast as a teacher of Russian. He was beloved not for any essential ability but for those unforgettable digressions of his, when he would remove his glasses to beam at the past while massaging the lenses of the present. Nostalgic excursions in broken English. Autobiographical titbits. How Pnin came to the Soedinyon nïe Shtatï (the United States). 'Examination on ship before landing. Very well! "Nothing to declare?" "Nothing." Very well! Then political questions. He asks: "Are you anarchist?" I answer' - time out on the part of the narrator for a spell of cosy mute mirth - '"First what do we understand under 'Anarchism'? Anarchism practical, metaphysical, theoretical, mystical, abstractical, individual, social? When I was young," I say, "all this had for me signification." So we had a very interesting discussion, in consequence of which I passed two whole weeks on Ellis Island' - abdomen beginning to heave; heaving; narrator convulsed.
    But there were still better sessions in the way of humour. With an air of coy secrecy, benevolent Pnin, preparing the children for the marvellous treat he had once had himself, and already revealing, in an uncontrollable smile, an incomplete but formidable set of tawny teeth, would open a dilapidated Russian book at the elegant leatherette marker he had carefully placed there; he would open the book, whereupon as often as not a look of the utmost dismay would alter his plastic features; agape, feverishly, he would flip right and left through the volume, and minutes might pass before he found the right page - or satisfied himself that he had marked it correctly after all. Usually the passage of his choice would come from some old and naïve comedy of merchant-class habitus rigged up by Ostrovski almost a century ago, or from an equally ancient but even more dated piece of trivial Leskovian jollity dependent on verbal contortions. He delivered these stale goods with the rotund gusto of the classical Alexandrinka (a theatre in Petersburg), rather than with the crisp simplicity of the Moscow Artists; but since to appreciate whatever fun those passages still retained one had to have not only a sound knowledge of the vernacular but also a good deal of literary insight, and since his poor little class had neither, the performer would be alone in enjoying the associative subtleties of his text. The heaving we have already noted in another connexion would become here a veritable earthquake. Directing his memory, with all the lights on and all the masks of the mind a-miming, toward the days of his fervid and receptive youth (in a brilliant cosmos that seemed all the fresher for having been abolished by one blow of history), Pnin would get drunk on his private wines as he produced sample after

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