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S Is for Silence

S Is for Silence

Titel: S Is for Silence Kostenlos Bücher Online Lesen
Autoren: Sue Grafton
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and the dog’s skull was crushed.”

    In the car driving back to her place, I kept my mouth shut, sensing she was in a dangerous mood. Finally she said, “I swear to god, if he killed her I want you to nail his ass.”
    “I wish it were that simple, but it’s not up to me. This is a homicide investigation and believe me, the sheriff’s department doesn’t need my help or interference. I may be a licensed PI, but that cuts no ice with local law enforcement. The quickest way to alienate the cops is to tromp on their turf.”
    Daisy’s face seemed set. “You owe me a day. I gave you a twenty-five-hundred-dollar retainer. Five hundred a day for five days and you’ve worked four.”
    “Well, that’s true.”
    “One day. That’s all I’m asking for.”
    “Doing what?”
    “I’m sure you’ll think of something. I understand what you’re saying about the sheriff’s department, but at this point you know more about the case than they do.”
    “True again,” I said. I had my own curiosity to satisfy, and I was already thinking of ways to do it that wouldn’t entail stepping on their toes. In times past, I may have been a teeny tiny bit guilty of crossing the line, but I was feeling virtuous this round. So far, at any rate.
    When we reached her house, I slipped my jeans on hot out of the dryer, gathered my toiletries and the few remaining articles of clothing, and shoved it all in a plastic bag. I grabbed my shoulder bag, tossed both bags in the backseat of my car, and backed out of the garage. It was Saturday afternoon. Government offices were closed, but the Santa Maria public library was open and might be worth a look-see. I drove into town, heading north on Broadway as far as the 400 block, where I pulled into the parking lot.
    The library is housed in a two-story Spanish-style structure with the ubiquitous red-tile roof. Santa Teresa architecture shares certain similarities with Santa Maria, though much of the latter looks less than twenty-five years old. I hadn’t seen an “old town” or anything resembling the mix of Spanish, Victorian, post-Victorian, Craftsman, and contemporary houses that Santa Teresa boasts. Many neighborhoods, like Tim Schaefer’s, date to the ’50s, ’60s, and ’70s, decades in which single-family residences were miraculously charm free.
    Once inside, I asked for the reference department and was directed to an elevator that took me to the second floor. My first job was to pull the roll of microfilm for the Santa Maria Chronicle covering June 1, 1953, to August 31, 1953. I threaded the film through the machine and scrolled day by day, looking for anything of significance.
    On a national level, June 19, Julius and Ethel Rosenberg were executed at Sing Sing. There was apparently new hope for a truce in Korea. On the local scene, according to the advertisements, gas was selling for twenty-two cents a gallon, a loaf of bread cost sixteen cents, and a sixteen-ounce jar of Kraft Cheez Whiz cost fifty-seven cents. Livia Cramer had given a home-demonstration party, whatever that was, and the ladies who’d been awarded prizes were listed. Cecil B. DeMille’s Cleopatra, starring Claudette Colbert and Warren William, was playing at the local theater, along with a 3-D movie called Bwana Devil. Approaching the Fourth of July weekend, I saw that the Santa Maria Indians had a game scheduled with the San Luis Obispo Blues at 8:30 in the Elks Field, and the 144th Field Artillery Battalion was having a Fourth of July Reunion BBQ. As I’d surmised, while many businesses were open on Friday, banks and government offices were closed. Eventually I came across the article about Violet’s disappearance, a copy of which Daisy had tucked in her file. I started printing out pages, beginning with June 30 and continuing into the following week.
    I went into a room devoted to genealogy and local history. I checked the volumes on the left-hand wall and located the county directory for 1952. The 1953 edition was missing, but I thought the 1952 data would be more useful in any event. I set my shoulder bag on the floor and took a chair at one of the tables.
    In going over my notes, I’d come across the map I’d sketched on my first trip to Serena Station. I’d met many people who’d been intimately connected to Violet, but I hadn’t talked to those on the periphery. In a murder investigation, anyone with something to hide could lie, obfuscate, or point a finger at someone else. A disinterested

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