Sandalwood Death: A Novel (Chinese Literature Today Book Series)

rapid-fire rebuke made Sun Bing break out in a sweat, and he gazed at her, feeling that something was amiss, however serious she might look. The absurdity of it all had him thinking that most of what she’d said sounded nothing like his daughter. She’d become a different person in the space of a single day.
    “Meiniang,” he said with a sneer, “what magic has that Qian fellow performed on you?”
    “Is that the sort of thing a father says to his daughter?” she replied angrily. “Magistrate Qian is an upright gentleman who would not look cross-eyed at me.” She took a silver ingot out of her pocket and tossed it onto the bed. “He said about you, ‘He’s a damned actor acting like a turtle awaiting an Imperial Edict.’ No proper man acts like that. He is giving you fifty taels of silver to disband the opera troupe and go into business for yourself.”
    Burning with indignation, Sun Bing was tempted to throw the silver back to show what a Northeast Gaomi Township man was made of. Instead, once he picked up the ingot, its cold heft made it impossible to let go.
    “Daughter,” he said, “this ingot isn’t lead wrapped in tinfoil, is it?”
    “What are you talking about, Dieh?” Meiniang’s anger was palpable. “Don’t think I don’t know how you treated Niang. The way you cheated, it’s no wonder she died an angry woman. Then you let our black donkey nearly bite me to death! For that alone I’ll hate you for the rest of my life. But I’m stuck with you. No matter how much I resent you, you’re still my dieh. If there’s only one person in the world who wishes you well, that person will be me. Please, Dieh, take Magistrate Qian’s advice and do what’s right. If you can find the right woman, marry her and live a peaceful life for as long as you have.” And so Sun Bing returned to Northeast Gaomi Township with the silver ingot, a trip characterized by nearly uncontrollable rage one minute and unbearable shame the next. When he met people on the road, he covered his mouth with his sleeve to keep them from seeing his blood-streaked chin. Not long before he arrived home, he stopped alongside the Masang River to take a look at his reflection; looking back at him was a truly ugly face, striped with wrinkles, frosty gray temples, all in all the face of a doddering old man. With a sigh, he scooped up some water to wash his face, no matter how much it hurt, before heading home.
    Sun Bing disbanded the opera troupe. Since he’d already had an intimate relationship with Little Peach, an orphan who sang the female leads, he went ahead and married her. They seemed well suited to one another, despite the substantial difference in age. With the silver given by Magistrate Qian, they bought a compound that faced the street, made some modifications, and opened the Sun Family Teashop. In the spring, Little Peach delivered twins, a boy and a girl, which made him deliriously happy. Magistrate Qian sent a congratulatory gift, a pair of silver necklaces, each weighing an ounce. The news spread like a thunderclap through Northeast Gaomi Township. Congratulations arrived from so many township residents that a banquet consisting of forty tables was necessary as an expression of appreciation. In their private conversations, people began referring to Magistrate Qian as Sun Bing’s semi-son-in-law and to Sun Meiniang as a semi-Magistrate. When this talk reached Sun Bing’s ears, he was, of course, mortified, but as time passed, apathy set in. Now that he had a smooth chin, like a wild horse shorn of its mane and tail, he had lost the air of intimidation and was no longer so easy to anger. A nearly permanent scowl was replaced by a gentle, mellow look. Life was good for the new Sun Bing. His face had regained its color, he was at peace with the world, and he had become a country squire.
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    3
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    At mid-morning, customers filled the teashop. Sun Bing, who was wearing only a thin jacket with a towel draped over his shoulder, was sweating as he went from table to table with a long-nosed brass teapot to fill people’s glasses. As a one-time singer of old men’s roles in opera, he had a sonorous voice with a tragic air, a talent he put to use in his business, shouting out orders as he worked, rhythmical and cadenced. He moved quickly and poured with great accuracy, his hands and feet in perfect harmony with a distinct tempo. His ears seemed always to echo with the enchanting sounds of Maoqiang