Tales of a Traveller

and all, headed by the banker’s lady, voted the theatre a bore , and determined to encourage nothing but the Indian Jugglers, and Mr. Walker’s Eidonianeon.
    Alas for poor Pillgarlick! I little knew the mischief that was brewing against me. My box book remained blank. The evening arrived, but no audience. The music struck up to a tolerable pit and gallery, but no fashionables! I peeped anxiously from behind the curtain, but the time passed away; the play was retarded until pit and gallery became furious; and I had to raise the curtain, and play my greatest part in tragedy to “a beggarly account of empty boxes.”
    It is true the Fantadlins came late, as was their custom, and entered like a tempest, with a flutter of feathers and red shawls; but they were evidently disconcerted at finding they had no one to admire and envy them, and were enraged at this glaring defection of their fashionable followers. All the beau-monde were engaged at the banker’s lady’s rout. They remained for some time in solitary and uncomfortable state, and though they had the theatre almost to themselves, yet, for the first time, they talked in whispers. They left the house at the end of the first piece, and I never saw them afterwards.
    Such was the rock on which I split. I never got over the patronage of the Fantadlin family. It became the vogue to abuse the theatre and declare the performers shocking. An equestrian troupe opened a circus in the town about the same time, and rose on my ruins. My house was deserted; my actors grew discontented because they were ill paid; my door became a hammering-place for every bailiff in the county; and my wife became more and more shrewish and tormenting, the more I wanted comfort.
    The establishment now became a scene of confusion and peculation. I Was considered a ruined man, and of course fair game for every one to pluck at, as every one plunders a sinking ship. Day after day some of the troupe deserted, and like deserting soldiers, carried off their arms and accoutrements with them. In this manner my wardrobe took legs and walked away; my finery strolled all over the country; my swords and daggers glittered in every barn; until at last my tailor made “one fell swoop,” and carried off three dress coats, half a dozen doublets, and nineteen pair of flesh-colored pantaloons.
    This was the “be all and the end all” of my fortune. I no longer hesitated what to do. Egad, thought I, since stealing is the order of the day, I’ll steal too. So I secretly gathered together the jewels of my wardrobe; packed up a hero’s dress in a handkerchief, slung it on the end of a tragedy sword, and quietly stole off at dead of night—“the bell then beating one,”—leaving my queen and kingdom to the mercy of my rebellious subjects, and my merciless foes, the bum-bailiffs.
    Such, sir, was the “end of all my greatness.” I was heartily cured of All passion for governing, and returned once more into the ranks. I had for some time the usual run of an actor’s life. I played in various country theatres, at fairs, and in barns; sometimes hard pushed; sometimes flush, until on one occasion I came within an ace of making my fortune, and becoming one of the wonders of the age.
    I was playing the part of Richard the Third in a country barn, and Absolutely “out-Heroding Herod.” An agent of one of the great London theatres was present. He was on the lookout for something that might be got up as a prodigy. The theatre, it seems, was in desperate condition—nothing but a miracle could save it. He pitched upon me for that miracle. I had a remarkable bluster in my style, and swagger in my gait, and having taken to drink a little during my troubles, my voice was somewhat cracked; so that it seemed like two voices run into one. The thought struck the agent to bring me out as a theatrical wonder; as the restorer of natural and legitimate acting; as the only one who could understand and act Shakespeare rightly. He waited upon me the next morning, and opened his plan. I shrunk from it with becoming modesty; for well as I thought of myself, I felt myself unworthy of such praise.
    “‘Sblood, man!” said he, “no praise at all. You don’t imagine that I think you all this. I only want the public to think so. Nothing so easy as gulling the public if you only set up a prodigy. You need not try to act well, you must only act furiously. No matter what you do, or how you act, so that it be but odd and strange. We