Tales of the Unexpected

coming out of Raynham Hall, Norfolk. They all fetched enormous prices. He couldn’t quite remember the exact figure for the first one, or even the second, but he knew for certain that the last one to be sold had fetched thirty-nine hundred guineas. And that was in 1921! Today the same piece would surely be worth ten thousand pounds. Some man, Mr Boggis couldn’t remember his name, had made a study of these commodes fairly recently and had proved that all three must have come from the same workshop, for the veneers were all from the same log, and the same set of templates had been used in the construction of each. No invoices had been found for any of them, but all the experts were agreed that these three commodes could have been executed only by Thomas Chippendale himself, with his own hands, at the most exalted period in his career.
    And here, Mr Boggis kept telling himself as he peered cautiously through the crack in his fingers, here was the fourth Chippendale Commode! And
he
had found it! He would be rich! He would also be famous! Each of the other three was known throughout the furniture world by a special name – The Chastleton Commode, the First Raynham Commode, The Second Raynham Commode. This one would go down in history as the Boggis Commode! Just imagine the faces of the boys up there in London when they got a look at it tomorrow morning! And the luscious offers coming in from the big fellows over in the West End – Frank Partridge, Mallett, Jetley, and the rest of them! There would be a picture of it in
The Times
, and it would say, ‘The very fine Chippendale Commode which was recently discovered by Mr Cyril Boggis, a London dealer….’ Dear God, what a stir he was going to make!
    This one here, Mr Boggis thought, was almost exactly similar to the Second Raynham Commode. (All three, the Chastleton and the two Raynhams, differed from one another in a number of small ways.) It was a most impressive, handsome affair, built in the French rococo style of Chippendale’s Directoire period, a kind of large fat chest-of-drawers set upon four carved and fluted legs that raised it about a foot from the ground. There were six drawers in all, two long ones in the middle and two shorter ones on either side. The serpentine front was magnificently ornamented along the top and sides and bottom, and also vertically between each set of drawers, with intricate carvings of festoons and scrolls and clusters. The brass handles, although partly obscured by white paint, appeared to be superb. It was, of course, a rather ‘heavy’ piece, but the design had been executed with such elegance and grace that the heaviness was in no way offensive.
    ‘How’re you feeling now?’ Mr Boggis heard someone saying.
    ‘Thank you, thank you. I’m much better already. It passes quickly. My doctor says it’s nothing to worry about really so long as I rest for a few minutes whenever it happens. Ah yes,’ he said, raising himself slowly to his feet. ‘That’s better. I’m all right now.’
    A trifle unsteadily, he began to move around the room examining the furniture, one piece at a time, commenting upon it briefly. He could see at once that apart from the commode it was a very poor lot.
    ‘Nice oak table,’ he said. ‘But I’m afraid it’s not old enough to be of any interest. Good comfortable chairs, but quite modern, yes, quite modern. Now this cupboard, well, it’s rather attractive, but again, not valuable. This chest-of-drawers’ – he walked casually past the Chippendale Commode and gave it a little contemptuous flip with his fingers – ‘worth a few pounds, I dare say, but no more. A rather crude reproduction, I’m afraid. Probably made in Victorian times. Did you paint it white?’
    ‘Yes,’ Rummins said, ‘Bert did it.’
    ‘A very wise move. It’s considerably less offensive in white.’
    ‘That’s a strong piece of furniture,’ Rummins said. ‘Some nice carving on it too.’
    ‘Machine-carved,’ Mr Boggis answered superbly, bending down to examine the exquisite craftsmanship. ‘You can tell it a mile off. But still, I suppose it’s quite pretty in its way. It has its points.’
    He began to saunter off, then he checked himself and turned slowly back again. He placed the tip of one finger against the point of his chin, laid his head over to one side, and frowned as though deep in thought.
    ‘You know what?’ he said, looking at the commode, speaking so casually that his voice kept trailing