The Brief Wondrous Life of Oscar Wao

Inca: waving at her with all her might, crying.
    More questions at passport control, and with a last contemptuous flurry of stamps, she was let through. And then the boarding and the preflight chitchat from the natty dude on her right, four rings on his hand—Where are you going? Never-never land, she snapped—and finally the plane, throbbing with engine song, tears itself from the surface of the earth and Beli, not known for her piety, closed her eyes and begged the Lord to protect her.
    Poor Beli. Almost until the last she half believed that the Gangster was going to appear and save her. I’m sorry, mi negrita, I’m so sorry, I should never have let you go. (She was still big on dreams of rescue.) She had looked for him everywhere: on the ride to the airport, in the faces of the officials checking passports, even when the plane was boarding, and, finally, for an irrational moment, she thought he would emerge from the cockpit, in a clean-pressed captain’s uniform—I tricked you, didn’t I? But the Gangster never appeared again in the flesh, only in her dreams. On the plane there were other First Wavers. Many waters waiting to become a river. Here she is, closer now to the mother we will need her to be if we want Oscar and Lola to be born.
    She is sixteen and her skin is the darkness before the black, the plum of the day’s last light, her breasts like sunsets trapped beneath her skin, but for all her youth and beauty she has a sour distrusting expression that only dissolves under the weight of immense pleasure. Her dreams are spare, lack the propulsion of a mission, her ambition is without traction. Her fiercest hope? That she will find a man. What she doesn’t yet know: the cold, the backbreaking drudgery of the factorías, the loneliness of Diaspora, that she will never again live in Santo Domingo, her own heart. What else she doesn’t know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.

    She awakened just as in her dreams some ciegos were boarding a bus, begging for money, a dream from her Lost Days. The guapo in the seat next to her tapped her elbow.
    Señorita, this is not something you’ll want to miss.
    I’ve already seen it, she snapped. And then, calming herself, she peered out the window.
    It was night and the lights of Nueva York were everywhere.

    7 . The Mirabal Sisters were the Great Martyrs of that period. Patría Mercedes, Minerva Argentina, and Antonia María—three beautiful sisters from Salcedo who resisted Trujillo and were murdered for it. (One of the main reasons why the women from Salcedo have reputations for being so incredibly fierce, don’t take shit from nobody, not even a Trujillo.) Their murders and the subsequent public outcry are believed by many to have signaled the official beginning of the end of the Trujillato, the “tipping point,” when folks finally decided enough was enough.
     
    8 . María Montez, celebrated Dominican actress, moved to the U.S. and made more than twenty-five films between 1940 and 1951, including Arabian Nights, Ali Baba and the Forty Thieves, Cobra Woman , and my personal favorite, Siren of Atlantis . Crowned the “Queen of Technicolor” by fans and historians alike. Born María África Gracia Vidal on June 6, 1912, in Barahona, bit her screen name from the famous nineteenth-century courtesan Lola Montez (herself famous for fucking, among others, the part-Haitian Alexandre Dumas). María Montez was the original J.Lo (or whatever smoking caribeña is the number-one eye-crack of your time), the first real international star the DR had. Ended up marrying a Frenchie (sorry, Anacaona) and moving to Paris after World War II. Drowned alone in her bathtub, at the age of thirty-nine. No sign of struggle, no evidence of foul play. Did some photo ops for the Trujillato every now and then, but nothing serious. It should be pointed out that while in France, María proved to be quite the nerd. Wrote three books. Two were published. The third manuscript was lost after her death.
     
    9 . Although not essential to our tale, per se, Balaguer is essential to the Dominican one, so therefore we must mention him, even though I’d rather piss in his face. The elders say, Anything uttered for the first time summons a demon , and when twentieth-century Dominicans first uttered the word freedom en masse the