The Corrections

Europe and eat for a couple of months at my expense. And then come back and design and operate a truly cool restaurant.”
    “You’re going to lose vast amounts of money,” Denise replied, “if you don’t find an experienced partner or an exceptionally good manager.”
    “Tell me what to do, and I’ll do it,” Brian said.
    “‘Double,’ you said?”
    “You’ve got the best place in the city.”
    “‘Double’ is intriguing.”
    “So say yes.”
    “Well, it might happen,” Denise said. “But you’re still probably going to lose vast amounts of money. You’re certainly overpaying your chef.”

    Denise had always had trouble saying no when she felt wanted in the right way. Growing up in suburban St. Jude, she’d been kept at safe distances from anybody who might have wanted her in this way, but after she finished high school she worked for a summer in the Signal Department of the Midland Pacific Railroad, and here, in a big sunny room with twin rows of drafting tables, she became acquainted with the desires of a dozen older men.
    The brain of the Midland Pacific, the temple of its soul, was a Depression-era limestone office building with rounded rooftop crenellations like the edges of a skimpy waffle. Higher-order consciousness had its cortical seat in the boardroom and executive dining room on the sixteenth floor and in the offices of the more abstract departments (Operations, Legal, Public Relations) whose vice presidents were on fifteen. Down at the reptile-brain bottom of the building were billing, payroll, personnel, and data storage. In between were mid-level skill functions such as Engineering, which encompassed bridges, track, buildings, and signals.
    The Midland Pacific lines were twelve thousand miles long, and for every signal and every wire along the way, every set of red and amber lights, every motion detector buried in ballast, every flashing cantilever crossing guard, every agglomeration of timers and relays housed in a ventless aluminum shed, there were up-to-date circuit diagrams in one of six heavy-lidded filing tanks in the tank room on the twelfth floor of headquarters. The oldest diagrams were drawn freehand in pencil on vellum, the newest with Rapidograph pens on preprinted Mylar blanks.
    The draftsmen who tended these files and liaised with the field engineers who kept the railroad’s nervous system healthy and untangled were Texan and Kansan and Mis-sourian natives: intelligent, uncultured, twangy men who’d come up the hard way from no-skill jobs in signal gangs, chopping weeds and digging postholes and stringing wire until, by virtue of their aptitude with circuits (and also, as Denise later realized, by virtue of being white), they’d been singled out for training and advancement. None had more than a year or two of college, most only high school. On a summer day when the sky got whiter and the grass got browner and their former gangmates were battling heatstroke in the field, the draftsmen were happy indeed to sit in cushioned roller chairs in air so cool they all kept cardigans handy in their personal drawers.
    “You’ll find that some of the men take coffee breaks,” Alfred told Denise in the pink of the rising sun, as they drove downtown on her first morning. “I want you to know they’re not paid to take coffee breaks. I expect you not to take coffee breaks yourself. The railroad is doing us a favor by hiring you, and it’s paying you to work eight hours. I want you to remember that. If you apply yourself with the same energy you brought to your schoolwork and your trumpet-playing, you’ll be remembered as a great worker.”
    Denise nodded. To say she was competitive was to put it mildly. In the high-school band there had been two girls and twelve boys in the trumpet section. She was in the first chair and boys were in the next twelve. (In the last chair was a part-Cherokee girl from downstate who hit middle C instead of high Ε and helped cast that pall of dissonance that shadows every high-school band.) Denise had no great passion for music, but she loved to excel, and her mother believed that bands were good for children. Enid liked the discipline of bands, the upbeat normality, the patriotism. Gary in his day had been an able boy trumpeter and Chiphad (briefly, honkingly) attempted the bassoon. Denise, when her time came, asked to follow in Gary’s footsteps, but Enid didn’t think that little girls and trumpets matched. What matched little girls was