The Darkest Evening of the Year

enlarging the scale for a more detailed study of the patterns of intraocular radiance.
    When next he glanced at the clock, he was unnerved to discover that an hour and a half had passed since he had heard his small staff coming to work downstairs. Yet he did not put down the pencil.
    Although the elliptical perimeter of an eye still framed the subject, though the iris and the pupil could still be discerned, enigmas of light and shadow began to dominate each composition to such an extent that the drawings became almost abstract.
    Soon Brian began to see hieroglyphics in these soft yet complex patterns, strange symbols that blazed with meaning when glimpsed from the corner of an eye. They faded into gray haze or diffused into luminous mists when he attempted to look at them directly.
    Even as meaning eluded him, he grew convinced that whatever the source of these images, whether they came from his intuition or were the work of a phantom presence that guided his hand, they contained a hidden truth and were leading him toward a shattering revelation.
    He tore off another page, put it aside. He had used at least a third of the tablet. Drawings layered the table.
    Only after his hand had worked for a while on the clean page did he realize that he was being led into a still deeper exploration of the dog’s mesmerizing gaze. Instead of merely portraying the beauty of the dusky yet luminous canine eyes as they appeared from without, Brian’s busy pencil took him within that architecture of shade and sheen, not into the substance of the eyeball itself, but inside the warp and woof of shadow and light within cornea, iris, pupil, lens.
    This was a vision of which he, as an artist, could never have conceived. The eye as a recognizable subject disappeared from the page, leaving only the incoming luminous rays and the companion shadows as they traveled through the processing layers of the eye. The drawing became entirely abstract, yet achingly more beautiful, numinous. Here was genius at work, and Brian knew he was no genius.
    He had passed into an altered state of consciousness, into a trance of delight.
    At times he swore that he saw the point of the working pencil pass through the paper without puncturing it, laying down its graphite beyond the page, as if constructing an image down, down, down through an infinite number of surfaces.
    Any good artist can create the illusion of three dimensions; but as these many-petaled patterns were refined, they blossomed toward him and simultaneously invited him to fall away within them. His pencil seemed to be a key to dimensions beyond a third.
    The meaningful hieroglyphics that earlier he’d glimpsed embedded in the drawing began to glow again in his imagination if not in fact, brighter than they had been previously. Then, as the drawing appeared to flower toward him, he became aware of some secret at its center, a shimmering amazement that might ultimately be beyond understanding, that could never be adequately drawn, yet his pencil worked, worked—
    Through the room swept a sound so terrible that Brian flung down the pencil and thrust to his feet, knocking over the chair.
    Not a simple sound but many noises simultaneously: hiss, whizz, soft clicking, rustle and flump, deep throb and ruffle, crumpcrump-crumpcrump . Loud, but not a blast. Not heavy like the hard crash of thunder, but heavy like the subsequent roll.
    He felt as if he had been folded into the sound—as if it were a great blanket—folded into it and shaken out, folded in, shaken out.
    Concussion waves thrummed in his ear drums, quivered through his teeth, traveled the hollows of his bones.
    Sudden silence surprised him. The alarming resonance had seemed as if it would escalate and endure until everything in sight had been shaken apart, like the voice of an earthquake speaking deep within the breaking earth, but it lasted only three or four seconds.
    For a moment he was paralyzed, throat tight, waiting for the phenomenon to repeat.
    After a hush had held the kitchen for half a minute, Brian went to the window and peered out, half expecting to see a column of smoke rising in the distance, evidence of an explosion. The sky was clear.
    The attraction of the unfinished image on the art paper remained powerful. His perception of a pending revelation returned.
    He set the fallen chair upright and settled at the table once more. He picked up the pencil.
    As his hand moved and the pencil point whispered against paper, further