The Emperors Soul

hadn’t ever truly become despicable. He had been more complex than that. Every person was. She could understand him, she could see—
    “Nights!” she said, standing up and putting the book aside. She needed to clear her mind.
    When Gaotona came to the room six hours later, Shai was just pressing a seal against the far wall. The elderly man opened the door and stepped in, then froze as the wall flooded with color.
    Vine patterns spiraled out from Shai’s stamp like sprays of paint. Green, scarlet, amber. The painting grew like something alive, leaves springing from branches, bunches of fruit exploding in succulent bursts. Thicker and thicker the pattern grew, golden trim breaking out of nothing and running like streams, rimming leaves, reflecting light.
    The mural deepened, every inch imbued with an illusion of movement. Curling vines, unexpected thorns peeking from behind branches. Gaotona breathed out in awe and stepped up beside Shai. Behind, Zu stepped in, and the other two guards left and closed the door.
    Gaotona reached out and felt the wall, but of course the paint was dry. So far as the wall knew, it had been painted like this years ago. Gaotona knelt down, looking at the two seals Shai put at the base of the painting. Only the third one, stamped above, had set off the transformation; the early seals were notes on how the image was to be created. Guidelines, a revision of history, instructions.
    “How?” Gaotona asked.
    “One of the Strikers guarded Atsuko of Jindo during his visit to the Rose Palace,” Shai said. “Atsuko caught a sickness, and was stuck in his bedroom for three weeks. That was just one floor up.”
    “Your Forgery puts him in this room instead?”
    “Yes. That was before the water damage that seeped through the ceiling last year, so it’s plausible he’d have been placed here. The wall remembers Atsuko spending days too weak to leave, but having the strength for painting. A little each day, a growing pattern of vines, leaves, and berries. To pass the time.”
    “This shouldn’t be taking,” Gaotona said. “This Forgery is tenuous. You’ve changed too much.”
    “No,” Shai said. “It’s on the line . . . that line where the greatest beauty is found.” She put the seal away. She barely remembered the last six hours. She had been caught up in the frenzy of creation.
    “Still . . .” Gaotona said.
    “It will take,” Shai said. “If you were the wall, what would you rather be? Dreary and dull, or alive with paint?”
    “Walls can’t think!”
    “That doesn’t stop them from caring.”
    Gaotona shook his head, muttering about superstition. “How long?”
    “To create this soulstamp? I’ve been etching it here and there for the last month or so. It was the last thing I wanted to do for the room.”
    “The artist was Jindoeese,” he said. “Perhaps, because you are from the same people, it . . . But no! That’s thinking like your superstition.” Gaotona shook his head, trying to figure out why that painting would have taken, though it had always been obvious to Shai that this one would work.
    “The Jindoeese and my people are not the same, by the way,” Shai said testily. “We may have been related long ago, but we are completely different from them now.” Grands. Just because people had similar features, Grands assumed they were practically identical.
    Gaotona looked across her chamber and its fine furniture that had been carved and polished. Its marble floor with silver inlay, the crackling hearth and small chandelier. A fine rug—it had once been a bed quilt with holes in it—covered the floor. The stained glass window sparkled on the right wall, lighting the beautiful mural.
    The only thing that retained its original form was the door, thick but unremarkable. She couldn’t Forge that, not with that Bloodseal set into it.
    “You realize that you now have the finest chamber in the palace,” Gaotona said.
    “I doubt that,” Shai said with a sniff. “Surely the emperor’s are the nicest.”
    “The largest, yes. Not the nicest.” He knelt beside the painting, looking at her seals at the bottom. “You included detailed explanations of how this was painted.”
    “To create a realistic Forgery,” Shai said, “you must have the technical skill you are imitating, at least to an extent.”
    “So you could have painted this wall yourself.”
    “I don’t have the paints.”
    “But you could have. You could have demanded paints. I’d have