The First Book of Lankhmar
from the temple. It allowed a sidewise glimpse of the walled temple-garden, overgrown with pale weeds and clogged with decay.
And now as he glanced in that direction he saw something that made him raise his eyebrows and sent a shiver crawling over his scalp. For across the moonlit space stole a manlike but unwholesomely bulky figure.
The Mouser's impression was that the strange body lacked the characteristic human curves and taperings of limb, that its face lacked features, that it was unpleasantly froglike. It seemed to be colored a uniform dull brown.
It vanished in the direction of the temple. What was it, the Mouser could not for the moment conjecture.
Intent on warning Fafhrd, he looked up, but the barbarian was already swinging into the embrasure at a dizzy height above. Disliking to shout, he paused undecided, half of a mind to skin up the line and join his comrade. All the while he kept humming a fragment of song — one used by thieves and supposed to enforce slumber on the inmates of a house being robbed. He wished fervently that the moon would get under a cloud.
Then, as if his fear had fathered a reality, something roughly grazed his ear and hit with a deadened thump against the temple wall. He knew what that meant — a ball of wet clay projected by a sling.
As he let his body collapse, two similar missiles followed the first. Close range, he could tell from the impact, and designed to kill rather than stun. He scanned the moonlit roof, but could see nothing. Before his knees touched the roof he had decided what he must do if he were to help Fafhrd at all. There was one quick way of retreat and he took it.
He grasped the long slack of the rope and dove into the chasm between the buildings, as three more balls of clay flattened against the wall.
As Fafhrd warily swung into the embrasure and found solid footing, he realized what had been bothering him about the character of the weatherworn carvings on the ancient wall: in one way or another they all seemed to be concerned with birds — raptorial birds in particular — and with human beings having grotesque avian features: beaked heads, batlike wings, and taloned limbs.
There was a whole border of such creatures around the embrasure, and the projecting stone ornament over which the grapnel was caught represented the head of a hawk. This unpleasant coincidence loosened the stout gates of fear within him and a faint sense of awe and horror trickled into his mind, extinguishing a part of his anger at Kooskra's repellent death. But at the same time it served to confirm certain vague notions that had come to him earlier.
He looked around. The black bird seemed to have retreated into the interior of the tower, where tenuous moonlight revealed an obscurely littered stone floor and a door half open on a rectangle of blackness. Whipping out a long knife, he trod softly inward, shifting his weight slowly from one foot to the other to feel for possible weaknesses in the centuries-old masonry.
It grew darker and then a little lighter, as his straining eyes accustomed themselves to the dimness. The stone beneath his feet became slippery. And in stronger and stronger waves there was borne to his nostrils the pungent, musty smell of a mews.
There was an intermittent soft rustling, too. He told himself it was only natural that birds of some sort — perhaps pigeons — should nest in this deserted structure, but a darker train of reasoning insisted that his previous speculations were right.
He passed a projecting panel of stone and came into the chief upper chamber of the tower.
Moonlight striking through two gaps in the ceiling high above vaguely revealed alcoved walls, which widened away from him toward the left. The sound of the Hlal was muted and deepened here, as though it rose up more through the stones than through the air. He was very close, now, to the half-open door.
He noted a tiny grilled opening in it, like that of a cell. Rising against the wall at the broad end of the room was what seemed to be an altar of some sort, embellished by indistinct sculptures. And on either side of it, in regular terraces like those of the altar itself, were tier on tier of small black blots.
Then he heard a raucous, falsetto cry, "Man! Man! Kill! Kill!" and
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