The Girl You Left Behind
you will go home
to your daughter. Maybe even within months.’
Liliane’s good hand lifted to the side
of her face, tracing a livid red scar that ran from the corner of her eyebrow along her
cheek. She seemed deep in thought, a long wayfrom me. I prayed that
my certainty had reassured her a little.
‘We have survived so far,
haven’t we?’ I continued. ‘We are no longer in that hellish cattle
truck. And we have been brought together. Surely the fates must have looked kindly upon
us to do that.’
She reminded me, suddenly, of
Hélène in the darker days. I wanted to reach across to her, touch her arm, but
I was too weak. I could barely stay upright on the wooden bench as it was. ‘You
have to keep faith. Things can be good again. I know it.’
‘You really think we can go home? To
St Péronne? After what we each did?’
The soldier began to push himself upright,
wiping his eyes. He seemed irritated, as if our conversation had woken him.
‘Well … maybe not straight
away,’ I stammered. ‘But we can return to France. One day. Things will be
–’
‘We are in no man’s land now,
you and I, Sophie. There is no home left for us.’
Liliane lifted her head then. Her eyes were
huge and dark. She was, I saw now, completely unrecognizable as the glossy creature I
had seen strutting past the hotel. But it was not just the scars and bruises that
altered her appearance: something deep in her soul had been corrupted, blackened.
‘You really think prisoners who end up
in Germany ever come out again?’
‘Liliane, please don’t talk like
that. Please. You just need …’ My voice tailed away.
‘Dearest Sophie, with your faith, your
blind optimism in human nature.’ She half smiled at me, and it was a terrible,
bleak thing. ‘You have no idea what they will do to us.’
And with that, before I could say another
word, she whipped the gun from the soldier’s holster, pointed it to the side of
her head and pulled the trigger.
30
‘So we thought we might take in a
movie this afternoon. And this morning Jakey’s going to help me walk the
dogs.’ Greg drives badly, dipping his foot on and off the accelerator, apparently
in time with the music, so that Paul’s upper body lurches forward at odd intervals
all the way down Fleet Street.
‘Can I bring my Nintendo?’
‘No, you cannot bring your Nintendo,
Screen-boy. You’ll walk into a tree like you did last time.’
‘I’m training to walk up them,
like Super Mario.’
‘Nice try, Small Fry.’
‘What time are you coming back,
Dad?’
‘Mm?’
In the passenger seat, Paul is scanning the
newspapers. There are four accounts of the previous day’s events in court. The
headlines suggest an impending victory for TARP and the Lefèvres. He cannot
remember the last time he felt less elated by a winning verdict.
‘Dad?’
‘Damn. The news.’ He checks his
watch, leans forward, fiddles with the dial.
‘Survivors of German concentration
camps have called on the government to fast-track legislation that would aid the return
of works of art looted during wartime …
‘Seven survivors have died this year
alone while waitingfor legal processes to return their
families’ possessions, according to legal sources, a situation that has been
described as “a tragedy”.
‘The call comes as the case of a
painting allegedly looted during the First World War continues at the High Court
–’
Paul leans forward. ‘How do I turn
this up?’
Where are they getting this stuff?
‘You want to try Pac-man. Now there
was a computer game.’
‘What?’
‘Dad? What time?’
‘Hold on, Jake. I need to listen to
this.’
‘– Halston, who claims her late
husband bought the painting in good faith. The controversial case illustrates the
difficulties for a legal system facing an increasing number of complex restitution cases
over the past decade. The Lefèvre case has attracted attention across the globe,
with survivors’ groups …’
‘Jesus. Poor Miss Liv.’ Greg
shakes his head.
‘What?’
‘I wouldn’t want to be in her
shoes.’
‘What’s that supposed to
mean?’
‘Well, all that stuff in the papers,
on the radio – it’s getting pretty hardcore.’
‘It’s just business.’
Greg gives him the look he turns on
customers who ask to run a tab.
‘It’s complicated.’
‘Yeah? I thought you said these
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