The Girl You Left Behind
throws it into
the nearest bin.
16
They go out four times. The first time they
have a pizza and she sticks to mineral water until she’s sure he doesn’t
really think she’s a soak, at which point she allows herself one gin and tonic.
It’s the most delicious gin and tonic she has ever had. He walks her back to her
house and looks like he’s about to leave, then after a slightly awkward moment he
kisses her cheek and they both laugh as if they know this is all a bit embarrassing.
Without thinking, she leans forward and kisses him properly, a short one, but with
intent. One that suggests something of herself. It leaves her a bit breathless. He walks
into the lift backwards and is still grinning as the doors close on him.
She likes him.
The second time they go to see a live band
his brother recommended and it’s awful. After twenty minutes, she realizes, with
some relief, that he thinks it’s awful too, and when he says does she want to
leave, they find themselves holding hands so they don’t lose each other as they
fight their way out through the crowded bar. Somehow they don’t let go until they
reach his flat. There they talk about their childhoods and bands they like and types of
dog and the horror of courgettes, then kiss on the sofa until her legs go a bit weak.
Her chin stays bright pink for two whole days afterwards.
A couple of days after this he rings her at
lunchtime tosay he happens to be passing a nearby café and does
she fancy a quick coffee? ‘Were you really passing by?’ she says, after they
have stretched their coffee and cake as far as his lunch hour can reasonably allow.
‘Sure,’ he says, and then, to
her delight, his ears go pink. He sees her looking and reaches a hand up to his left
lobe. ‘Ah. Man. I’m a really bad liar.’
The fourth time they go to a restaurant. Her
father calls just before pudding arrives to say that Caroline has left him again. He
wails so loudly down the telephone that Paul actually jumps at the other side of the
table. ‘I have to go,’ she says, and declines his offer of help. She is not
ready for the two men to meet, especially where the possibility exists that her father
may not be wearing trousers.
When she arrives at his house half an hour
later, Caroline is already home.
‘I forgot it was her night for life
drawing,’ he says sheepishly.
Paul does not attempt to push things
further. She wonders briefly if she talks too much about David; whether somehow she has
made herself off limits. But then she thinks it might just be him being gentlemanly.
Other times she thinks, almost indignantly, that David is part of who she is, and if
Paul wants to be with her, well, he’ll have to accept that. She has several
imaginary conversations with him and two imaginary arguments.
She wakes up thinking about him, about the
way he leans forward when he listens, as if determined not to miss a single thing she
says, the way his hair has greyed prematurely at the temples, his blue, blue eyes. She
has forgotten what it’s like to wake up thinking about someone, to wantto be physically close to them, to feel a little giddy at the
remembered scent of their skin. She still doesn’t have enough work but it bothers
her less. Sometimes he sends her a text message in the middle of the day and she hears
it spoken in an American accent.
She is afraid of showing Paul McCafferty how
much she likes him. She is afraid of getting it wrong: the rules seem to have changed in
the nine years since she last dated. She listens to Mo and her dispassionate
observations about Internet dating, of ‘friends with benefits’, of the dos
and don’ts of sex – how she should wax and trim and have ‘techniques’
– and it’s as if she’s listening to someone speaking Polish.
She finds it hard to tally Paul McCafferty
with Mo’s assertions about men: sleazy, chancing, self-serving, porn-obsessed
slackers. He is quietly straightforward, a seemingly open book. It was why climbing the
ranks of his specialist unit in the NYPD didn’t suit him, he says. ‘All the
blacks and whites get pretty grey the higher up you get.’ The only time he looks
even remotely uncertain, his speech becoming hesitant, is when discussing his son.
‘It’s crap, divorce,’ he says. ‘We all tell ourselves the kids
are fine, that it’s better this way than two unhappy people shouting at each
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