The Glass Books of the Dream Eaters

clicking gait, arms strangely floating, their uncovered bodies an arrogant assertion of ripe, ghastly, unsettling allure. It took Miss Temple a moment—what had the Comte said to Caroline, “companions”?—to recognize with shock Mrs. Marchmoor and, some new disfiguring scorch across her head, Miss Poole. What did it mean that her enemies had—
willingly?
—been transformed,
transfigured,
into such…such
things
?
    The Comte gathered up Miss Poole’s leash and flicked her toward Mrs. Stearne. Miss Poole’s lips parted ever so slightly with a chilling smile and then Caroline staggered where she stood, her head lolling to the side. An instant later, as the effect spread to the first rank of the crowd like a rippling pool, Miss Temple felt herself swallowed up and thrust into a scene so enticingly real that she could scarcely remember the ballroom at all.

    She was on a plush settee in a dark, candlelit parlor and her hand was occupied with stroking Caroline Stearne’s lovely, soft unbound hair. Mrs. Stearne wore—as Miss Temple saw that she (that is, Miss Poole) wore as well—the white robes of initiation. On the other side of Mrs. Stearne sat a man in a black cloak and a tight mask of red leather, leaning over to kiss her mouth, a kiss to which Mrs. Stearne responded with a passionate moan. It was like Mrs. Marchmoor’s story of the two men in the coach, only here it was a man and two women. Mrs. Stearne’s hunger caused Miss Poole to condescendingly chuckle as she turned to reach for a glass of wine…and with this action her shifting gaze took in an open door and a lurking figure half-visible in the light beyond…a figure whose shape Miss Temple knew at once as that of Roger Bascombe.
    The vision was withdrawn from Miss Temple’s mind, like a blindfold whipped from her eyes, and she was back in the ballroom, where every person she could see was blinking with confusion, save for the Comte d’Orkancz, who smiled with a smug superior pleasure. He called again to Caroline—some vulgar jest about sisterhood and opportunities for taking the veil—but Miss Temple did not mark their conversation, so provoked were her thoughts by what she’d just beheld….
    Miss Poole and Caroline Stearne had been wearing their white robes, and the man with them on the settee—she had seen him, she had taken that very cloak for her own!—was none other than Colonel Trapping. Miss Temple groped to make sense of it, as if she were in a hurry to open a door and could not get the right key in the hole…it had been that same night at Harschmort…and just before the Colonel’s murder, for the women had changed into their white robes but not yet undergone the Process. This meant it had been while she was creeping through the hall of mirrors and past the queer man with the boxes—only minutes before she herself had entered Trapping’s room. She had already worked out that Roger and the Contessa were the Cabal members nearest to the Colonel at his death…could these women have killed him instead—on instructions of the Comte? If the Colonel had been in secret agreement with Lord Vandaariff…but why, she suddenly wondered, had Miss Poole chosen to share
this
memory—one that must obviously stir up questions about the murdered Colonel—with Caroline Stearne? There had been a rivalry between them in the theatre—was it merely to mock Caroline’s affections for a dead man, and what was more a dead traitor to the Cabal? In front of
everyone
?

    She was startled—was she an idiot? She must pay attention—by a hoarse cry and then the total immersion without warning into another vision: a tall wooden staircase, lit by orange torchlight under a blackened sky, a sudden rush of men, a scuttling figure in a black topcoat—Minister Crabbé!—and then the mob converging upon and raising up a kicking figure in a steel-blue greatcoat, a flash of his drawn face and ice-pale hair confirming him as Doctor Svenson an instant before, with a heaving surge, the crowd of men launched him without ceremony over the rail.
    Miss Temple looked up—just piecing together that this must be an image from the quarry at Tarr Manor—back in the ballroom again, to see a disturbance in the crowd, an undulating progress toward the center that with a lurch deposited the haggard figure of Doctor Svenson, breathless and battered, onto his hands and knees—exactly where Chang had been. Svenson looked up, his wild eyes searching for some escape but