The Glass Books of the Dream Eaters
worth twice the fare into his hand. He continued to stare. Without another word she made her way down toward the rear of the train.
The compartments were all empty, save for one. Miss Temple glanced into it and stopped, looking at a tall, unshaven man with greasy black hair and round spectacles of dark glass, as if he were blind. His equally unkempt topcoat was red, as were his trousers and his gloves, which he held in one hand, a thin book in the other. On the seat beside him was an open razor, lying on a handkerchief. He looked up from his book. She nodded to him, and just perceptibly dipped her knee. He nodded in return. She knew that her face was bloody, that she was dressed in rags, and that yet somehow he understood that she was more—or other—than this appearance. Or was it that in this appearance she was revealing her true nature? He smiled faintly. She wondered if she had fallen asleep on her feet, and was actually dreaming. She nodded again and made her way to another compartment.
Miss Temple dozed with one hand on the revolver until the train reached Stropping, early in the morning, the sky still thick with shadow. She saw nothing more of the man in red, nor of anyone she recognized, and was forced to pay three times the usual fare to get a coach to the Boniface, and then to bang on the glass front of the hotel with the revolver to be let in. Once the staff was convinced who she was and allowed her to enter—faces white, eyes wide, jaws gaping—she refused to say another word and, clutching the coat around her body, went directly to her rooms. Inside was warm and still and dark. Miss Temple staggered past the closed doors of her sleeping maids and her sleeping aunt to her own chamber. With the last of her strength she dropped the coat behind her to the floor, tore away the bloody rags and crawled naked but for her green boots into the bed. She slept like a stone for sixteen hours.
TWO
Cardinal
H e was called Cardinal from his habit of wearing a red leather topcoat that he’d stolen from the costume rack of a traveling theatre. It had been winter, and he’d taken it because the ensemble included boots and gloves as well as the coat, and at the time he was lacking all three. The boots and gloves had since been replaced, but he had preserved the coat, despite wearing it through all weathers. Though few men in his line of work sought to identify themselves in any way at all, he found that, in truth, those who sought him out—for employment or punishment—would find him even if he wore the drabbest grey wool. As for the name, however ironic or mocking, it did bestow a certain veneer of mission—given his life was a persistent and persistently vicious struggle—onto his itinerant church of one, and though he knew in his heart that he (like everyone) must lose at the finish, the vain title made him feel less through the course of his days like an animal fattened in a pen.
He was called Chang for more immediate reasons, if equally ironic and mocking. As a young man he’d been deeply slashed by a riding crop over the bridge of his nose and both eyes. He’d been blinded for three weeks, and when his vision finally cleared—as much as it was ever going to clear—he was greeted with the blunt scars that crossed and then protruded out from the corners of each eyelid, as if a child’s caricature of a slant-eyed menacing Chinaman had been scrawled with a knife over his features. His eyes were thereafter sensitive to light, and tired easily—reading anything longer than a page of newspaper gave him a headache that, as he had learned many times over, only the deep sleep of opiates or, if such were unavailable, alcohol, might assuage. He wore spectacles with round lenses of dark smoked glass in all circumstances.
It was a gradual process by which he accepted these names, first from others, and then finally used them himself. The first time he replied “Chang” when asked his name, he could too easily recall the taunting comments as he waited day after day in the sickroom for his sight to return (it was a name to be always accompanied by a bitter smile), but even those associations seemed more real—more important to carry forward—than an earlier identity marked with failure and loss. More, the names were now a part of his working life—the rest were distant landmarks on a sea voyage, faded from sight and usage.
The riding crop had also damaged the inside of his nose, and he had little sense of
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