The Glass Books of the Dream Eaters

smell. He knew abstractly that his rooming house was more objectionable than his own experience told him—he could see the nearby sewers, and knew by logic that the walls and floors had fully absorbed the fetid airs of their surroundings. But he was not uncomfortable. The garret room was cheap, isolated, with rooftop access and, most importantly, in the shadow of the great Library. For the smell of his own person, he contented himself with weekly visits to the Slavic baths near the Seventh Bridge, where the steam soothed his ever red-rimmed eyes.
    At the Library, Cardinal Chang was a common sight. It was knowledge that put him ahead of his competitors, he felt—anyone could be ruthless—but his eyes prevented long hours spent in research. Instead, Chang made the acquaintance of librarians, engaging them in long interrogative conversations about their given responsibilities—specific collections, organizational theories, plans for acquisition. He pursued these topics in calm but relentless inquiry, so that eventually—through memory and rigorous mental association—it had become possible for him to isolate at least three-quarters of what he needed without actually reading a word. As a result, though he haunted its marbled halls nearly every day, Cardinal Chang was most often found pacing a Library corridor in thought, wandering through the darkened stacks by memory, or exchanging keen words with a blanching though professionally tolerant archivist as to the exact provenance of a new genealogical volume he might need to consult later in the day.
    Before the incident with the riding crop and the young aristocrat who wielded it, Chang had been a long-time student—which meant that poverty did not trouble him, and that his wants, then from necessity and now by habit, were few. Though he had abandoned that life completely, its day to day patterns had marked him, and his working week was divided into a reliably Spartan routine: the Library, the coffeehouse, clients, excursions on behalf of those clients, the baths, the opium den, the brothel, and bill collecting, which often involved revisiting past clients in a different (to them) capacity. It was an existence marked by keen activity and open tracts of ostensibly lost time, occupied with wandering thought, thick sleep, narcotic dreams, with willful nothingness.
    When not so pacified, however, his mind was restless. One source of regular consolation was poetry—the more modern the better, as it usually meant a thinner text. He found that by carefully rationing out how many lines he read at a time, and closing his eyes to consider them, he could maintain a delicately steady, if perhaps finally grinding, pace through the whole of a slim volume. He had been occupying himself in such a manner, with Lynch’s new translation of the
Persephone
fragments (found in some previously unplundered Thessalonikan ruin), when he looked up and saw the woman on the train. He smiled to think of it, as he lay just awake on his pallet, for the lines he’d been reading at the time—“battered princess / that infernal bride”—had seemed to exactly illustrate the creature before him. The filthy coat, the blood-smeared face, her curls crusted and stiff, her piercing grey eyes—a meeting of such beauty and such spoilage—he found it all perfectly impressive, even striking. He had decided at the time not to follow, to allow the incident its own distinction, but now he wondered about finding her, remembering (with a stirring of lust) the lines fallen tears had traced down her cheeks. After consideration, Chang decided he would ask at the brothel—any new whore so covered in blood would certainly have
someone
talking about her.

    The grey light from his window told him that he had slept later than usual. He rose and washed his face in the basin. He dried himself vigorously on an old towel and decided he could go another day without shaving. After a moment of indecision, he decided to swirl a mouthful of salt water around his teeth, spat into his chamber pot, pissed in the pot, and then ran his fingers through his hair in lieu of a comb. His clothes from the previous day were still clean enough. He put them on, re-knotted a black cravat, tucked his razor into one coat pocket and the slim volume of
Persephone
into another. He put on his glasses, relaxed as even this day’s pallid light was dimmed, grabbed a heavy, metal-knobbed walking stick, and locked his door behind him.
    It was just