The Glass Books of the Dream Eaters

pulled the revolver from his pocket, breaking it open. There were two cartridges left—he had no others with him. He stuffed it back in his pocket, and realized that the bulk of his money was still at the compound with his box of shells. He’d lost his medical kit, and was for the moment stuck in his uniform and greatcoat that, while a relatively restrained Prussian blue, nevertheless set him apart in a crowd.
    His face stung. He brought up a hand to feel dried blood and a small splinter of wood still lodged below his right cheekbone. He delicately pulled it free and pressed a handkerchief to his face. Doctor Svenson realized that he desperately wanted a cigarette. He fished in his coat for his case, extracted one and then snapped a match alight off of his thumb. The smoke hit his lungs with an exquisite tug and he exhaled slowly. Taking his time, he worked his way to the butt, concentrating only on his breathing and on each successive plume of smoke sent over the gravestones. He tossed the butt into a puddle and lit another. He didn’t want to be light-headed, but the tobacco was restoring some of his resolve. As he replaced the case his hand bumped the glass cards in his pocket. He had forgotten the second card, from Trapping. He looked around him—the churchyard was still quite abandoned and the buildings around it void of any visible activity. Svenson pulled out the card—it looked identical to the one he had taken from the Prince’s chamber. Would he be looking into the mind of Arthur Trapping and see some clue about how he had died? He set his burning cigarette down on the tomb next to him and looked into the card.

    It took a moment for the blue veil to part, but once it had Svenson found himself amidst a confusing swirl of images, moving rapidly from one to another without any logic he could discern. It was less as if he occupied another’s actual experience—as with Mrs. Marchmoor’s encounter with the Prince—so much as their free-floating mind, or even perhaps their dreams. He pulled his gaze up from the card and exhaled. He was shaking, it was just as involving, he had been as much outside of himself as before. He tapped the growing cylinder of ash from his cigarette and took a long drag. He set it down again and gathered himself for a second, more focused visit.
    The first images were in a fussy, well-appointed interior—a carpeted room of dark wood and glass lamps, delicate Chinoiserie and thickly upholstered furniture—and a woman sitting on a sofa, a young woman only a part of whose body Svenson could see—her bare forearms and her small hands as they clutched the upholstery, and then her shapely calves just emerging from under her dress as she stretched her legs, and then to her charming green ankle boots…each glimpse imbued with a particular proprietary hunger from the gaze he was inhabiting.
    From here the card jumped abruptly to a rocky scene, a high view into a pit of grey stone—a quarry?—below an only slightly less grey sky. Suddenly Svenson was
in
the pit, the feel of gravel against his knee—kneeling, bending over a seam of colored stone within the rock—a dark stubbled indigo. An arm—his arm, which was young, strong, in a black coat—and a hand in a black leather glove reached forward to touch the seam of blue, digging a finger into it and crumbling out a loose chunk, as if it were a chalky sort of clay.
    The next movement began as one of standing up in the quarry, but as his point of vision rose, the scene around him changed, so that when he was fully upright he was in a winter orchard—apple trees, he thought—the base of each trunk packed with straw. His gaze moved to his left and he saw a high stone wall and a weathered hedgerow, and behind them both the peaked rooftop of a country manor.
    He turned farther to his left and found himself facing Harald Crabbé, who was smirking, leaning back and looking out the window of a coach—the window beyond it showing a country wood racing past. Crabbé turned to him—to whomever this was—and quite clearly mouthed the words “your decision”…and turned back to the window.
    The window now opened onto another room, a curving stone hallway, ending in a metal-banded door. The door swung open and revealed a cavernous chamber, ringed with machinery, a massive man leaning over a table, his broad back obscuring the identity of the woman strapped to it, a woman…Svenson suddenly recognized the room—at the Institute, where