The Glass Books of the Dream Eaters

your eyes! Behold the
transformation
!”
    Chang paused on the stairs, despite himself, his mind seared with the image of Angelique’s face and arm. He looked behind him down the winding metal depths of the tower and heard outside it, like a rush of wind, a collected gasp of astonishment from the Comte’s audience in the cells.
    “You see!” the Comte continued. “She lives! She walks! And you see yourselves … her extraordinary
powers
…”
    The crowd gasped again—a hissing whisper punctuated by several screams—of fright or joy, he could not say. Another gasp. What was happening? Tears for Angelique were still hot on his face but Chang could not help it. He lurched to a viewing slot and pulled it aside. It was ridiculous to stay—his enemies would be gathering above him any minute—and yet he had to know … was she alive? Was she still
human
?
    He could not see her—she must be too close to the base of the tower—but he could see d’Orkancz. The Comte was facing where Angelique must be, and had stepped back to the second table to stand next to another box of levers and stops. Each table had such a box attached to it by way of the black hoses, and Chang was just realizing on a visceral, sickening level that each of the other two women were about to be so transfigured. He looked down at the inert form on the third table and found his heart pricked by the image of Margaret Hooke, savage, wounded, and proud, writhing in agony as her flesh was boiled away to glass. Had she chosen such a fate, or had she merely given herself over to d’Orkancz out of desperate ambition—trusting, because of thefirst few crumbs of power he had shown her, that his final ends lay in her interest?
    The crowd gasped again and Chang felt his knees give, grabbing at the rail to keep balance. His mind spun as sharply as if he’d been kicked in the head, then the moment of nausea passed and he felt himself moving—but it was movement of the mind, a swift restless rushing, as if in a dream, through different scenes—a room, a street, a bed, a crowded square, one after another. Then the momentum of thought eased, settling on one sharp instant: the Comte d’Orkancz in a doorway in his fur, his gloved hand extended and offering a shining rectangle of blue glass. Chang felt his own hand reach out to the Comte, even as he knew it fiercely gripped the iron rail, and saw it touch the glass—the small delicate fingers he knew so well—and felt the sudden rush of erotic power as he—as she—was swept into the memory held within, a rising, impossibly vivid stimulation, irresistible as opium and just as addictive, then quickly, cruelly withdrawn before he could grasp whose sweet memory it had been or even the circumstance. The Comte tucked the card back into his coat and smiled. This had been the villain’s introduction to Angelique, Chang knew, and Angelique was now, somehow, projecting her own experience of that intimate moment into the mind and body of every person within a hundred yards.
    The image departed from his mind with another spasm of dizziness and he felt himself abruptly empty and cruelly, cruelly alone—her sudden presence in his mind had seemed a harsh intrusion, but once withdrawn there was a part of him that wanted more—for it was her, and he could
feel
it was her, Angelique, with whom he had so long desired this exact sort of impossible intimacy. Chang looked again down the twisting stairs, fighting an impulse to return, to fling himself away to an embrace of love and death. A part of his mind insisted that neither mattered, so long as it came from her.
    “You feel the power for yourselves! You experience the truth!”
    The Comte’s voice broke the spell. Chang shook his head and turned, climbing as quickly as he could. He could not make sense of all he felt—he could not decide what he must do—and so Cardinal Chang retreated, as he often did, into action alone, driving himself on until he found an object for his desolated rage, looking for mayhem to once more clarify his heart.
    The rising, grating whine began again, escalating to the heights of the chamber. The Comte d’Orkancz had moved on to the next woman, Miss Poole, pulling the levers to begin her metamorphosis. The sound of screaming machinery was bolstered by cries from the gallery of cells, for now that they knew what they were going to see, the crowd was even more willing to voice encouragement and delight. But Chang was assailed by the image