The Hard Way
between his cheeks and his forehead.
Messy, but effective. Perez was dead long before he hit the ground. He was too small to go down like a tree. He just melted into the beaten earth like he was a part of it.
----
Lane turned to Addison and said, “Go find out what the hell Perez is up to. He should have been back by now. I’m getting bored. Nobody’s bleeding yet.”
“I’m bleeding,” Jackson said.
“You don’t count.”
“Taylor’s bleeding. Perez shot him.”
“Wrong,” Lane said. “Taylor’s stopped bleeding. For the moment.”
“Reacher’s out there,” Jackson said.
“I don’t think so.”
Jackson nodded. “He is. That’s why Perez isn’t back. Reacher got him.”
Lane smiled. “So what should I do? Go out and search? With my two men? Leaving you people all alone in here to organize a pathetic escape attempt behind my back? Is that what you’re trying to achieve? Not going to happen. Because right about now Reacher is walking past the Bishops Pargeter church. Or are you just trying to give your comrades a little hope in their hour of need? Is this British pluck? The famous stiff upper lip?”
Jackson said, “He’s out there. I know it.”
----
He was crouching outside the kitchen door, sorting through all the things that Perez had dropped. An MP5K with a thirty-round magazine and a ballistic nylon shoulder sling. A flashlight, now broken. Two black-handled kitchen knives, one long, one short, one serrated, one plain. A souvenir corkscrew from a car ferry operator.
And a potato peeler.
Its handle was a plain wooden peg. Once red, now faded. Tightly bound to it with thick wrapped string was a simple pressed-metal blade. Slightly pointed, with a raised flange and a slot. An old-fashioned design. Plain, utilitarian, well used.
Reacher stared at it for a moment. Then he put it in his pocket. He buried the longer knife to its hilt in Perez’s chest. Tucked the shorter knife in his own shoe. Kicked the corkscrew and the broken flashlight into the shadows. Used his thumb to clean Perez’s blood and frontal lobe off of the G-36’s monocular lens. Picked up the MP5 submachine gun and slung it over his left shoulder.
Then he headed back north and east toward the barns.
Reacher, alone in the dark. Doing it the hard way.
CHAPTER 75
REACHER STEPPED INTO the beaten earth yard. It was a little more than a hundred feet square, with barns barely visible in the dark on the north side, and the east, and the south. All three barns looked to be pretty much identical. Same vintage, same construction, same materials. They had tall sliding doors and tile roofs and wood wall planks, dull gray in the starlight. They were newer than the standalone barns, and much stronger. Straight and square and solid. Which was good news if you were Jackson the farmer, Reacher guessed. But which was bad news for him. No warped boards, no gaps, no cracks, no knot holes.
No immediate way of telling which one was currently occupied.
He stood still. North or east, he guessed. Easier for the truck. Either a straight path in, or a simple ninety-degree right hook. Not the south, he thought. It would have needed a one-eighty U-turn to reach the doors, and it had its back to the house and the driveway anyway. Not a comfortable feeling. Psychologically the possibility of a direct line of sight out the door was important. Even in the pitch dark.
He crossed the yard, slow and silent. His ruined shoes helped. The thick layer of mud on the soles kept them quiet. Like sneakers. Like walking on carpet. He made it to the near left-hand corner of the north barn and disappeared into the blackness alongside it. Circled it, clockwise. Felt the walls. Tapped them, gently. Stout boards, maybe oak, maybe an inch thick. Nailed to a frame that might have been built from foot-thick timbers itself. Like an old sailing ship. Maybe there was an inner skin of inch-thick boards. He had lived in worse places.
He came all the way around to the right-hand front corner and paused. There was no way in except for the main front doors. They were made from four-inch timbers banded together with galvanized steel straps and hung from sliders at the top. U-shaped channels were bolted to the barn’s structure, and wheels the size of the Mini Cooper’s were bolted to the doors. More U-shaped channels were set in concrete at the bottom, with smaller wheels in them. Practically industrial. The doors would slide apart like theater curtains.
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