The House of Crows

masters to work harder for less wages.’
    Cranston sipped from the tankard. ‘Ah!’ he sighed, ‘I understand. The burden of the tax levy would have fallen on the wealthy. They, in turn, would try to pass those demands on to their own tenants by making them produce more, or by cutting their wages. But what has that got to do with these murders?’
    ‘Well listen, Sir John.’ Athelstan glanced further down the parchment. ‘About three years later, another set of petitions appeared; not from the knights or, indeed, from their peasant leaders, but from widows.’ Athelstan pointed to one petition. ‘Such as this from Isolda Massingham. She maintains that a gang of outlaws, cut-throats, wolfs-heads and felons were waging war on isolated farms. She talks of men masked, hooded and cowled, who burst into her house and dragged her husband Walter out. He was later found hanging from the branch of an oak tree some three miles outside the village.’ He glanced up. ‘They disfigured her husband’s corpse by etching red crosses on his face.’
    ‘So...’ Cranston drank from his tankard. ‘Two of our corpses were similarly disfigured but—’
    ‘Ah!’ Athelstan held his hand up. ‘Now Isolda makes no allegations. She points no finger of accusation, but demands that the king’s justices be sent into the shire to discover the perpetrators of this outrage. Isolda, I suspect, was no base-born peasant villein: her husband was of peasant stock but rather prosperous, hence the petition.’
    ‘True, true,’ Cranston interjected. ‘After the Great Pestilence, labour was in short supply. Properties were left vacant, and the labourers and peasants, particularly the more prosperous, had more ground to till so could demand higher wages. They were also able to sell their own produce in the markets.’ He shrugged. ‘It’s the same thing as today: the prosperous peasants want more freedom to work their own land and sell their produce, but the great lords are determined to keep them tied to the soil. But, Athelstan, what has this got to do with the murders at Westminster?’
    ‘As I said,’ Athelstan continued, ‘Isolda was a fairly wealthy widow. She probably went to some clerk who drew up this petition and organised its despatch to the king’s council at Westminster.’
    ‘Yes, yes,’ Cranston answered testily, ‘I understand all that.’
    ‘Well, I am going to make a leap in logic,’ Athelstan went on. ‘Massingham’s killers were no band of outlaws.’ The friar paused to choose his words carefully. ‘I don’t know whether widows like Isolda Massingham and others knew who was murdering their menfolk, but I suspect it was Sir Edmund Malmesbury and his knights.’ Athelstan rolled up the parchment. ‘Isolda’s petition is important, and I’d love to know what the Crown did about it.’

CHAPTER 13

    At first Cranston would not accept Athelstan’s conclusions.
    ‘You are saying,’ he repeated, ‘that Malmesbury and his companions, the so-called Knights of the Swan, carried out their own private war against these self-styled peasant leaders!’
    ‘Yes, I am,’ Athelstan replied. ‘They are arrogant men, Sir John, fully aware of their rights and appurtenances. They grew up in a world where every man knew his place, particularly the peasants, but the Great Pestilence ended all that. Whole villages were wiped out. Labour became scarce and the peasants began to enrich themselves, not only through the acquisition of land, but also by selling their labour to the highest bidder.’ Athelstan ran his finger round the rim of his tankard. ‘And what could the Crown do? It needed those peasants for its wars in France, as well as the payment of its taxes, so the likes of Malmesbury took the law into their own hands.’
    Athelstan paused and sipped at his ale, staring through the window of the tavern to ensure no one was eavesdropping. ‘Imagine it, Sir John, these arrogant lords of the soil, cloaked and visaged, armed to the teeth. They would swoop on some poor peasant’s house, drag him from his table, and hurry him off to execution whilst they chanted the sequence from the Mass of the Dead, the “ Dies Irae " .'
    ‘And the arrowhead, candle and scrap of parchment?’Cranston asked.
    ‘Oh, these knights always sent a warning. The candle is a symbol of their victim’s impending funeral. The arrowhead a sign of a violent death, and the word “Remember” a barbed hint to reflect upon the other murders