The Kill Artist

nodded. Shamron reached into his briefcase, withdrew a small gift box, about two inches by two inches, and handed it to Jacqueline. She opened it. A gold lighter, nestled in white cotton filler.
    "It sends out a beacon with a range of thirty miles. Which means if something goes wrong-if we lose contact with you for some reason-we'll always be able to find you again."
    Jacqueline removed the lighter from the box and snapped the hammer. The lighter expelled a slender tongue of flame. When she slipped the lighter into the breast pocket of her blouse, Shamron's face broke into a brief smile. "I feel obligated to inform you that your friend Gabriel has serious reservations about this whole thing." He was on the move again, this time standing before the landscape by Claude. "Gabriel is afraid you may be walking straight into a trap. Usually I trust Gabriel's opinion. We have a considerable history between us. But in this case I find myself in respectful disagreement with him."
    "I understand," Jacqueline murmured, but she was thinking of the night she had brought Yusef to this very room.
    "Claude was born in France, but he lived almost his entire life in Venice, if I'm not mistaken."
    "Actually, you're mistaken. Claude lived and worked in Rome."
    Perhaps he was testing her, even then.
    Shamron continued, "I could tell you many things. I could tell you that Tariq is an animal with the blood of hundreds of Jews on his hands. I could remind you that he killed our ambassador and his wife in cold blood in Paris. I could remind you that he murdered a great friend of Israel and his wife in Amsterdam. I could tell you that he's planning to strike again. That you will be doing a great service to the State of Israel and the Jewish people. I could tell you all these things, but I can't tell you to do this."
    Jacqueline looked at Gabriel, but he was standing in front of the del Vaga, craning his neck sideways, as if he was looking for flaws in the last restoration. Don't look at me, he was saying. This is your decision, yours alone.
    * * *
    Shamron left them alone. Gabriel crossed the room and stood where Shamron had been. Jacqueline wanted him closer, but Gabriel seemed to require a buffer zone. His face had already changed. It was the same change that had come over him in Tunis. There had been two Gabriels in Tunis. The Gabriel of the surveillance phase, when they had been lovers, and Gabriel the night of the assassination. She remembered the way he had looked during the drive from the beach to the villa: part grim determination, part dread. He looked the same way now. It was his killing face. When he spoke, he resumed where Shamron had left off. Only the quality of his voice was different. When Shamron spoke Jacqueline could almost hear drums beating. Gabriel spoke softly and quietly, as if he were telling a story to a child at bedtime.
    "Your link to the Office will be the telephone in your flat here in London. The line will be routed through to headquarters in Tel Aviv on a secure link. When you arrive at your destination, tell Tariq you need to check your messages. When you call, the people in the Office will see the number you're dialing from and locate it. If you're alone you can even talk to them and pass along messages to us. It will be very secure."
    "And what if he refuses to let me use the telephone?"
    "Then you throw a fit. You tell him that Yusef never said you wouldn't be allowed to use the telephone. You tell him Yusef never said you were going to become a prisoner. Tell him that unless you're allowed to check your messages you're leaving. Remember, as far as you know, this man is a Palestinian dignitary of some sort. He's on a diplomatic mission. He's not someone you're supposed to fear. If he senses you're afraid of him, he'll suspect you know more than you should know."
    "I understand."
    "Don't be surprised if you hear messages on your machine. We'll place a few there. Remember, according to the rules laid down by Yusef, no one but Julian Isherwood is allowed to know that you've gone away. Perhaps Isherwood will call and ask when you're planning to return. Perhaps he'll have some sort of emergency at the gallery that will require your attention. Perhaps a family member or a friend will call from Paris to see how things are going for you in London. Maybe a man will call and ask you to dinner. You're an attractive woman. It would be suspicious if there weren't other men pursuing you."
    She thought: So why not you,