The Love of a Good Woman

so thoroughly that now it was hard to manage the outcome. The pickup truck was turning from the paved county road onto a gravelled side road. It was a decrepit truck with no topper, its body eaten by rust—it would not be going far. Home to some farm, most likely. They might not meet another vehicle to switch to before the destination was reached.
    “You’re positive this is it?” said Eve. “It’s only one man by himself, you know. I thought they never travelled alone.”
    “The dog,” said Philip.
    For there was a dog riding in the open back of the truck, running back and forth from one side to the other as if there were events to be kept track of everywhere.
    “The dog’s one too,” Philip said.
    T HAT morning, when Sophie was leaving to meet Ian at the Toronto airport, Philip had kept Daisy occupied in the children’s bedroom. Daisy had settled down pretty well in the strange house—except for wetting her bed every night of the holiday—but this was the first time that her mother had gone off and left her behind. So Sophie had asked Philip to distract her, and he did so with enthusiasm (happy at the new turn events had taken?). He shot the toy cars across the floor with angry engine noises to cover up the sound of Sophie’s starting the real rented car and driving away. Shortly after that he shouted to Eve, “Has the B.M. gone?”
    Eve was in the kitchen, clearing up the remains of breakfast and disciplining herself. She walked into the living room. There was the boxed tape of the movie that she and Sophie had been watching last night.
    The Bridges of Madison County.
    “What does mean ‘B.M.’?” said Daisy.
    The children’s room opened off the living room. This was a cramped little house, fixed up on the cheap for summer rental. Eve’s idea had been to get a lakeside cottage for the holiday—Sophie’s and Philip’s first visit with her in nearly five years and Daisy’s first ever. She had picked this stretch of the Lake Huron shore because her parents used to bring her here with her brother when they were children. Things had changed—the cottages were all as substantial as suburban houses, and the rents were out of sight. This house half a mile inland from the rocky, unfavored north end of the usable beach had been the best she could manage. It stood in the middle of a cornfield. She had told the children what her father had once told her—that at night you could hear the corn growing.
    Every day when Sophie took Daisy’s hand-washed sheets off the line, she had to shake out the corn bugs.
    “It means ‘bowel movement,’” said Philip with a look of sly challenge at Eve.
    Eve halted in the doorway. Last night she and Sophie had watched Meryl Streep sitting in the husband’s truck, in the rain, pressing down on the door handle, choking with longing, as her lover drove away. Then they had turned and had seen each other’s eyes full of tears and shook their heads and started laughing.
    “Also it means ‘Big Mama,’” Philip said in a more conciliatory tone. “Sometimes that’s what Dad calls her.”
    “Well then,” said Eve. “If that’s your question, the answer to your question is yes.”
    She wondered if he thought of Ian as his real father. She hadn’t asked Sophie what they’d told him. She wouldn’t, of course. His real father had been an Irish boy who was travelling around North America trying to decide what to do now that he had decided not to be a priest. Eve had thought of him as a casual friend of Sophie’s, and it seemed that Sophie had thought of him that way too, until she seduced him. (“He was so shy I never dreamed it would take,” she said.) It wasn’t until Eve saw Philip that Eve could really picture what the boy had looked like. Then she saw him faithfully reproduced—the bright-eyed, pedantic, sensitive, scornful, fault-finding, blushing, shrinking, arguing young Irishman. Something like Samuel Beckett, she said, even to the wrinkles. Of course as the baby got older, the wrinkles tended to disappear.
    Sophie was a full-time archaeology student then. Eve took care of Philip while she was off at her classes. Eve was an actress—she still was, when she could get work. Even in those days there were times when she wasn’t working, or if she had daytime rehearsals she could take Philip along. For a couple of years they all lived together—Eve and Sophie and Philip—in Eve’s apartment in Toronto. It was Eve who wheeled Philip in his baby