The Luminaries

between the addict and his drug, and they both felt that isolation very keenly. Ah Sook loathed his own enslavement to opium, and the more he loathed it, the more his craving for the drug strengthened, taking a disgusted shape in his heart and mind. Anna, too, had loathed the habit in herself. She had loathed it all the more when she began to swell with child, and her trade in Hokitika dwindled, and she was left with days and weeks of twilit smoke, an acreage of time, that softened at the edges, and blurred, until the baby died, and Anna’s dependence acquired a desperation that even Ah Sook did not attempt to understand. He did not know how the baby came to perish, and had not asked.
    They never spoke in the Kaniere den—not as they lit the lamp, not as they lay back, not as they waited for the resin to soften and bubble in the bowl. Sometimes Anna filled Ah Sook’s pipe first, and held it for him as he took the smoke into his body, and breathed, and slipped away—only to wake, later, and find her stretched out beside him, supple and clammy, her hair plastered wet against her cheek. It was important to the lighting of the pipe that no words were ever spoken, and Ah Sook was pleased that they had adopted this practice without any kind of negotiation or request. As the conjugal act cannot be spoken of aloud for reasons both sacred and profane, the ritual of the pipe was, for the pair of them, a holy ritual that was unspeakable and mortified, just as it was ecstatic and divine: its sacredness lay in its very profanity, and its profanity, in its sacred form. For what a solemn joy it was, to wait in silence for the resin to melt; to ache for it, shamefully, wondrously, as the sweet scent of it reached one’s nose; to pull the needle through the tar; to cut the flame, and lie back, and take the smoke into one’s body, and feel it, miraculous, rushing to one’s very extremities, one’s fingers , one’s toes, the top of one’s head! And how tenderly he looked upon her, when they woke.
    On the afternoon of the widow’s
séance
(it was a Sunday—a provocative scheduling on Mrs. Wells’s part, and one of which she was very well aware) Ah Sook was sitting in the rectangular patch of sunshine that fell through the doorway of his hut, scraping clean the bowl of his opium pipe, humming through his teeth, and thinking about Anna. This had been his occupation for the better part of an hour, and the bowl was long since clean. His knife no longer turned up the reddish powder left by the burnt opium gum; the long chamber of the pipe was clear. But the redundant motion matched the redundancy of his repeating thoughts, and helped to reassure him.
    ‘
Ah Quee faat sang me si aa
?’
    Tong Wei, a smooth-faced young man of thirty, was watching him from the other side of the clearing. Ah Sook did not respond. He had pledged not to speak of the council at the Crown Hotel, or the events that preceded it, to any man.
    The lad persisted. ‘
Keoi
hai mai bei yan daa gip aa
?’
    Still Ah Sook said nothing, and presently Tong Wei gave up, muttering his displeasure, and sloped off in the direction of the river.
    Ah Sook sat still for a long while after the lad’s departure, and then all of a sudden he sat back, uttered an oath, and folded his knife away. It was hell to spend his days waiting for her, thinking about her, wondering. He would not endure it. He would journey to Hokitika that very afternoon, and demand an audience with her. He would go at once. He rolled up his pipe and tools, stood, and went inside to fetch his coat.
    Ah Sook had only understood part of what was discussed in the smoking room of the Crown Hotel three weeks prior. In his confusions he had received no aid from his compatriot, for Ah Quee’s English was even more severely limited than his own, and none from the remaining men of the Crown, whose collective patience was worn very thin by any request for clarification from Chinese men. Balfour’s narration had been much too swift and poetically accented to be readily understood by a foreign ear, and both Ah Sook and Ah Quee had left the assembly at the Crown with only a partial understanding of all that had been discussed.
    The crucial points of ignorance were these. Ah Sook did not know that Anna Wetherell had quit her lodgings at the Gridiron Hotel, and had taken up instead with Lydia Wells. He also did not know that Francis Carver was the master of the ship
Godspeed
, the craft that had foundered on the