The Messenger

BRIEFCASE HAD REACHED Paris by dawn, and by eleven it was being carried into an anonymous-looking office block on King Saul Boulevard in Tel Aviv. There the professor’s personal effects were hastily inspected, while the hard drive of his laptop computer was subjected to a sustained assault by a team of technical wizards. By three that afternoon the first packet of intelligence had been forwarded to the Prime Minister’s Office in Jerusalem, and by five a manila file folder containing the most alarming material was in the back of an armored Peugeot limousine heading toward Narkiss Street, a quiet leafy lane not far from the Ben Yehuda Mall.
    The car stopped in front of the small apartment house at Number 16. Ari Shamron, the twice former chief of the Israeli secret service, now special adviser to the prime minister on all matters dealing with security and intelligence, emerged from the backseat. Rami, the black-eyed chief of his personal security detail, moved silently at his heels. Shamron had made countless enemies during his long and turbulent career, and because of Israel’s tangled demographics, many were uncomfortably close. Shamron, even when he was inside his fortresslike villa in Tiberias, was surrounded always by bodyguards.
    He paused for a moment on the garden walkway and looked up. It was a dowdy little building of Jerusalem limestone, three floors in height, with a large eucalyptus tree in front that cast a pleasant shadow over the front balconies. The limbs of the tree were swaying in the first cool wind of autumn, and from the open window on the third floor came the sharp odor of paint thinner.
    Shamron, as he entered the foyer, glanced at the mailbox for apartment number three and saw it was absent a nameplate. He mounted the stairs and tramped slowly upward. He was short of stature and was dressed, as usual, in khaki trousers and a scuffed leather jacket with a tear in the right breast. His face was full of cracks and fissures, and his remaining fringe of gray hair was cropped so short as to be nearly invisible. His hands were leathery and liver-spotted and seemed to have been borrowed from a man twice his size. In one was the file.
    The door was ajar when he arrived on the third-floor landing. He placed his fingers against it and gently pushed. The flat he entered had once been meticulously decorated by a beautiful Italian-Jewish woman of impeccable taste. Now the furniture, like the beautiful Italian woman, was gone, and the flat had been turned into an artist’s studio. Not an artist, Shamron had to remind himself. Gabriel Allon was a restorer—one of the three or four most sought-after restorers in the world. He was standing now before an enormous canvas depicting a man surrounded by large predatory cats. Shamron settled himself quietly on a paint-smudged stool and watched him work for a few moments. He had always been mystified by Gabriel’s ability to imitate the brushstrokes of the Old Masters. To Shamron it was something of a parlor trick, just another of Gabriel’s gifts to be utilized, like his languages or his ability to get a Beretta off his hip and into firing position in the time it takes most men to clap their hands.
    “It certainly looks better than when it first arrived,” Shamron said, “but I still don’t know why anyone would want to hang it in his home.”
    “It won’t end up in a private home,” Gabriel said, his brush to the canvas. “This is a museum piece.”
    “Who painted it?” Shamron asked abruptly, as though inquiring about the perpetrator of a bombing.
    “Bohnams auction house in London thought it was Erasmus Quellinus,” Gabriel said. “Quellinus might have laid the foundations, but it’s clear to me that Rubens finished it for him.” He moved his hand over the large canvas. “His brushstrokes are everywhere.”
    “What difference does it make?”
    “About ten million pounds,” Gabriel said. “Julian is going to do very nicely with this one.”
    Julian Isherwood was a London art dealer and sometime secret servant of Israeli intelligence. The service had a long name that had very little to do with the true nature of its work. Men like Shamron and Gabriel referred to it as the Office and nothing more.
    “I hope Julian is giving you fair compensation.”
    “My restoration fee, plus a small commission on the sale.”
    “What’s the total?”
    Gabriel tapped his brush against his palette and resumed working.
    “We need to talk,” Shamron