The Moviegoer
youââ
Mr Sartalamaccia tells it forlornly, without looking upâknowing no more than the facts pure and simple and hardly believing that we donât know. Everybody knows. âI built it for him.â
âHow did you know him?â
âI didnât. One morning before Christmas I was just about finished with my store over there and Judge Anse come in and started talking to me. He saidâuhââ Mr Sartalamaccia smiles a secret little smile and his head sinks even lower as he makes bold to recall the very words. ââwhatâs your name? Yes: whatâs your name? I told him. He saidâuh: you built this store? I said, yessir. We talked. So he looked at me and he saidâuh: Iâm going tell you what I want you to do. He writes this check. He saidâuh: Hereâs a check for a thousand dollars. I want you to build me a lodge and come on, Iâll show you where. So I said, all right. So he saidâuhââ Mr Sartalamaccia waits until the words, the very words, speak themselvesâ âLetâs go, Vince, like him and me, we were going to have us a big time. He never saw me before in his life and he walks in my store and writes me a check on the Canal Bank for a thousand dollars. And he didnât come back for six weeks.â
âDid he like the lodge?â
âI mean he liked it.â
âI see.â I see. There was such a time and there were such men (and Mr Sartalamaccia smiles to remember it), men who could say to other men, here do this, and have it done and done with pleasure and remembered with pleasure. âHave you always been here?â
âMe?â Mr Sartalamaccia looks up for the first time. âI had only been here three weeks! Since November.â
âWhere are you from?â
âI was raised in Ensley, near Birmingham, but in nineteen thirty-two times was so hard I started moving around. I visited forty-six states, all but Washington and Oregon, just looking around and I never went hungry. In nineteen thirty four I come to stay with my brother in Violet and started trapping.â
It turns out that Mr Sartalamaccia is a contractor and owns the housing development next door. He has done well and he wants my duck club for an addition. I ask about the houses.
âYou want to see one?â
We follow him along a hog trail to a raw field full of pretty little flat-topped houses. He must show us one abuilding. I take pleasure in watching him run a thumb over the sawn edges of the sheathing. Sharon does not mind. She stands foursquare, eyes rolled back a little, showing white. She is sleepy-eyed and frumpy; she looks like snapshots of Ava Gardner when she was a high school girl in North Carolina.
âYou know whatâs in this slab?â The concrete is smooth as silk.
âNo.â
âChance number six copper pipe. Nobody will ever know itâs there but it will be there a long time.â I see that with him it is not purely and simply honesty; it is his own pleasure at thinking of good pipe in a good slab.
Back at the hummock, Mr Sartalamaccia takes me aside and holds his hat away to the east. âYou see that ditcher and doozer?â
âYes.â
âYou know what thatâs going to be?â
âNo.â
âThatâs the tidewater canal to the Gulf. You know how much our land is going to be worth?â
âHow much?â
âFifty dollars a foot.â Mr Sartalmaccia draws me close. Again he tells it as the veriest piece of news. Deal or no deal, this is a piece of news that bears telling.
Later Sharon tells me I was smart to trick him into revealing the true value of my duck club. But she is mistaken. It came about from the moment I met him that thenceforward it pleased him to speak of the past, of his strange odyssey in 1932 when he gazed at Old Faithful in Yellowstone Park and worked on the causeway to Key West and did not go hungryâit pleased him to speak with me of the past and to connive with me against the future. He speaks from his loneliness and together we marvel at the news of the canal and enjoy the consolation of making money. For money is a great joy.
Mr Sartalamaccia has become possessed by a secret hilarity. He gives me a poke in the ribs. âIâll tell you what we can do, Mr Bolling. You keep your land! Iâll develop it for you. You make the offsite improvements. Iâll build the houses. Weâll make us
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