The Ring of Solomon

formed of silken smoke, then burst soundlessly into nothing.

    1 Rizim had put the other eye out on a rare occasion when our master had made a slight mistake with the words of his summoning. We’d additionally managed to scorch his backside once or twice, and there was a scar on his neck where I’d come close with a lucky ricochet, but despite a long career commanding more than a dozen formidable djinn, the magician remained vigorous and spry. He was a tough old bird.
    2 Eridu of the Seven Temples, the bone-white city, glittering in green fields. One of the earliest cities of men. In its day its ziggurats rose high as falcon’s flight, and the scent of its spice markets drifted on the winds as far as Uruk and the sea … Then the river changed its course, the land went dry. The people grew thin and cruel; their temples toppled into dust, and they and their past were utterly forgotten. Except by spirits such as me. And, naturally – whenever their gold lust overcame their fears – by magicians too.

2
    N o matter how many times you see the dead walk, you always forget just how rubbish they are when they really get moving. Sure, they look OK when they first break through the wall – they get points for shock value, for their gaping sockets and gnashing teeth, and sometimes (if the Reanimation spell is really up to scratch) for their disembodied screams. But then they start pursuing you clumsily around the temple, pelvises jerking, femurs high-kicking, holding out their bony arms in a way that’s meant to be sinister but looks more as if they’re about to sit down at a piano and bash out a honky-tonk rag. And the faster they go, the more their teeth start rattling and the more their necklaces bounce up and get lodged in their eye-holes, and then they start tripping over their grave-clothes and tumbling to the floor and generally getting in the way of any nimble-footed djinni who happens to be passing. And, as is the way with skeletons, never once do they come out with any really good one-liners, which might add a bit of zest to the life-or-death situation you’re in.
    ‘Oh, come on ,’ I said as I hung from the wall, ‘there must be someone here worth talking to.’ With my free hand I fired a plasm across the room, causing a Void to open in the path of one of the scurrying dead. It took a step, was sucked into oblivion; I sprang up from the stones, bounced off the vaulted ceiling and landed nimbly on top of a statue of the god Enki on the opposite side of the hall.
    To my left a mummified corpse shuffled from its alcove. It wore a slave’s robe and had a rusted manacle and chain about its shrunken neck. With a creaky spring it leaped to snare me. I yanked the chain, the head came off; I caught this mid-palm as the body fell away, and bowled it unerringly into the midriff of one of its dusty comrades, snapping its backbone with neat precision.
    Jumping from the statue, I landed in the very centre of the temple hall. From every side now the dead converged, their robes as frail as cobwebs, hoops of bronze twirling on their wrists. Things that had once been men and women – slaves, freemen, courtiers and under-priests, members of every level of Eridu’s society – pressed tight about me, jaws gaping, jagged yellow fingernails raised to rend my essence.
    I’m a courteous fellow and greeted them all appropriately. A Detonation to the left. A Convulsion to the right. Bits of ancient person spattered merrily on the glazed reliefs of the old Sumerian kings.
    That gave me a brief respite. I took a look around.
    In the twenty-eight seconds since I’d tunnelled through the ceiling, I’d not had time to fully assess my surroundings, but from the décor and the general layout a couple of things were clear. First, it was a temple of the water god Enki (the statue told me that, plus he featured prominently in the wall reliefs, along with his attendant fish and snake-dragons) and had been abandoned for at least fifteen hundred years. 1 Second, in all the long centuries since the priests had sealed the doors and left the city to be swallowed by the desert sands, no one had entered before me. You could tell that from the layers of dust upon the floor, the unbroken entrance stone, the zeal of the guardian corpses and – last but not least – the statuette resting on the altar at the far end of the hall.
    It was a water serpent, a representation of Enki, fashioned with great artifice out of twisting gold. It glittered