The Second Coming
having you around at four oâclock in the afternoon.â
He laughed. âWhatâs wrong with night? Whatâs wrong with now?â
âNothing. Butââ
She was moving against him, enclosing him, wrapping her arms and legs around him, as if her body had at last found the center of itself outside itself. But he stopped her or rather took her face in his hands and looked she thought at her, the firelight making his eye sockets deeper and darker than they were.
âThere is something I must tell you.â
âYes, butââ she said.
âYes, but what?â
Yes, but not now. Yes, but why did you stop? Keep on.
âWhat?â he asked her.
âI said why did you stop. I mean I meant to say âit.â Why did you stop? I think this is âit.ââ
âI have to leave,â he said.
âWhen?â
âNow.â
âIs the leavingââ
âIâll be back.â
âWhen?â
âSoon. There are some things I must do.â
âWhat about this? It? That is, us.â
âWhat about us?â
âIs there anything entailed?â
âIs anything entailed between us?â
âYes.â
âWhat is the entailment?â
He lay back, his hand behind his head. The wind shifted to the south. The sleet turned to rain. Some of the drops on the glass beyond his head didnât run. In the big drops the open firebox was reflected in a bright curved stripe like a catâs eye. With his hand behind his head, his shoulders and chest bare, the firelight showing the line of his cheek and the notch of his eye, with my hair falling across my arm and touching his arm, we are like lovers in the movies. Men never wear pajamas in the movies. So Sarge didnât wear pajamas. My father always wore pajamas.
âThere is something you need to know,â he said.
Yeah, she thought, there is something I needed to know and I think I know. What I need to know and think I know is, is loving you the secret, the be-all not end-all but starting point of my very life, or is it just one of the things creatures do like eating and drinking and therefore nothing special and therefore nothing to dream about? Is loving a filling of the four oâclock gap or is it more? Either way would be okay but I need to know and think I know. It might be the secret because a minute ago when you held me and I came against you, there were signs of coming close, to it, for the first time, like the signs you recognize when you are getting near the ocean for the first time. Even though youâve never seen the ocean before, you recognize it, the sense of an opening out ahead and a putting behind of the old rickrack bird-chirp town and countryside, something tasting new in the air, the dirt getting sandier, even the shacks and weeds looking different, and something else, a quality of sound, a penultimate hush marking the beginning of the end of land and the beginning of the old uproar and the going away of the endless sea.
Then why had he stopped and would she ever know the secret or if there was a secret?
âThis is like running around at the Dunes Exxon a mile from the beach and going back to town,â she said.
âWhatâs that?â he asked quickly. He looked at her. âYou mean the ocean, getting near the ocean.â
âHow did you know that?â
âPerhaps that is what I want,â he said absently.
âThe ocean?â
âSomething like that. Now may I tell you something?â
âOkay.â
He turned to face her. Her cheek was on his arm.
âHow are you?â he asked her.
âIâm all right now.â
âBut not before?â
âIâm all right because you are doing the instigating and you seem to know what you are doing. I was a good dancer.â
âSo if I do the instigating youâll do the cooperating?â he asked.
âHa ha. Very funny.â
âVery well. I am going to tell you what has happened concerning you because you are entitled to know. Iâm also going to tell you what I have learned because, for one reason, you may be the only person who would understand it.â
âAll right.â
âFirst, your mother and I are old friends. That is, I used to know her a long time ago.â
âYou and my mother?â
âYes.â
âHow about that?â she said in her motherâs voice, using an expression her mother liked to
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