The Vanished Man

Hangman.
    In this trick, our performer lies prone on the belly, hands bound behind the back with classic Darby handcuffs. The ankles are tied together and another length of rope is wound around the neck, like a noose, and tied to the ankles. The tendency of the legs to straighten pulls the noose taut and begins the terrible process of suffocation.
    Why is it called the “Lazy” Hangman? Because the condemned executes himself.
    In many of Mr. Houdini’s more dangerous routines, assistants were present with knives and keys to release him in the event that he was unable to escape. Often a doctor was on hand.
    Today, there’ll be none of these precautions. If there’s no escape within four minutes, the performer will die.
    We begin in a moment . . . but first a word of advice:
    Never forget that by entering our show you’re abandoning reality.
    What you’re absolutely convinced you see might not exist at all. What you know has to be an illusion may turn out to be God’s harsh truth.
    Your companion at our show might turn out to be a total stranger. A man or woman in the audience you don’t recognize may know you far too well.
    What seems safe may be deadly. And the dangers you guard against may be nothing more than distractions to lure you to greater danger.
    In our show what can you believe? Whom can you trust?
    Well, Revered Audience, the answer is that you should believe nothing.
    And you should trust no one. No one at all.
    Now, the curtain rises, the lights dim, the music fades, leaving only the sublime sound of hearts beating in anticipation.
    And our show begins. . . .
    •   •   •
    The building looked as if it’d seen its share of ghosts.
    Gothic, sooty, dark. Sandwiched between two high-rises on the Upper West Side, capped with a widow’swalk and many shuttered windows. The building dated from the Victorian era and had been a boarding school at one point and later a sanatorium, where the criminally insane lived out their frazzled lives.
    The Manhattan School of Music and Performing Arts could have been home to dozens of spirits.
    But none so immediate as the one who might be hovering here now, above the warm body of the young woman lying, stomach down, in the dim lobby outside a small recital hall. Her eyes were still and wide but not yet glassy, the blood on her cheek was not yet brown.
    Her face was dark as plum from the constriction of the taut rope connecting her neck to her ankles.
    Scattered around her were a flute case, sheet music and a spilled grande cup from Starbucks, the coffee staining her jeans and green Izod shirt and leaving a comma of dark liquid on the marble floor.
    Also present was the man who’d killed her, bending down and examining her carefully. He was taking his time and felt no urge to rush. Today was Saturday, the hour early. There were no classes in the school on the weekends, he’d learned. Students did use the practice rooms but they were in a different wing of the building. He leaned closer to the woman, squinting, wondering if he could see some essence, some spirit rising from her body. He didn’t.
    He straightened up, considering what else he might do to the still form in front of him.
    •   •   •
    “You’re sure it was screaming?”
    “Yeah. . . . No,” the security guard said. “Maybenot screaming, you know. Shouting. Upset. For just a second or two. Then it stopped.”
    Officer Diane Franciscovich, a portable working out of the Twentieth Precinct, continued, “Anybody else hear anything?”
    The heavy guard, breathing hard, glanced at the tall, brunette policewoman, shook his head and flexed and opened his huge hands. He wiped his dark palms on his blue slacks.
    “Call for backup?” asked Nancy Ausonio, another young patrol officer, shorter than her partner, blonde.
    Franciscovich didn’t think so, though she wasn’t sure. Portables walking the beat in this part of the Upper West Side dealt mostly with traffic accidents, shoplifting and car theft (as well as holding the hands of distraught muggees). This was a first for them—the two women officers, on their Saturday morning watch, had been spotted on the sidewalk and motioned urgently inside by the guard to help check out the screaming. Well, upset shouting.
    “Let’s hold off,” the calm Franciscovich said. “See what’s going on.”
    The guard said, “Sounded like it was comin’ from ’round here somewhere. Dunno.”
    “Spooky place,” Ausonio offered, oddly