Tunnels 01, Tunnels

heaved around a bend in the tunnel, and the space around them opened up. They were struck dumb by a dizzying confusion of bridges, aqueducts and raised walkways crisscrossed above a lattice of cobbled streets and lanes, all bordered with buildings.
    Dragged on at an impossible rate by the policeman, they were watched by huddled groups of people, their wide faces curious and yet impassive. But not all the faces were like those of their captor or the men who had pursued them up in Highfield, with their wan skin and washed-out eyes. If it hadn't been for their old-fashioned dress, some would have appeared quite normal and could easily have passed unnoticed in any
    English street
    .
    "Help, help!" Chester cried hopelessly as he halfheartedly resumed his efforts to extricate himself from the policeman's grip. But Will hardly noticed any of this. His attention had been seized by a tall, thin individual standing beside a lamppost, dark coat that reflected the light as if it was made from polished leather. He stood out strikingly from the squat people around him, his shoulders slightly bent over like a highly strung bow. His whole being emanated evil, and his dark eyes never left Will's, who felt a wave of dread wash over him.
    "I think we're in real trouble here, Chester," he said, unable to tear his gaze from the sinister man, whose thin lips were twisted into a sardonic smile.

     

20

    Will and Chester stumbled and tripped as they were hauled up a small flight of stairs into a single-story building nestling between what Will took to be drab offices or factories. Once inside, the policeman pulled them to an abrupt halt and, spinning them around, roughly yanked their bags off their backs. Then he literally hurled the two boys at a slippery oak bench, its surface dripping here and there with polished indentations, as if years of wrongdoers had rubbed along its length. Will and Chester gasped as their backs slammed against the wall and the breath was knocked out of them.
    "Don't you move!" the policeman roared, positioning himself between them and the entrance. By craning his neck forward, Will could just see past the man and through the half-windowed doors into the street outside, where a mob had gathered. Many were jostling for a view, and a few started to shout angrily and wave their fists as they caught sight of Will. He quickly sat back and tried to catch Chester's eye, but his friend, frightened out of his wits, was staring fixedly at the floor in front of him.
    Will noticed a bulletin board next to the door, on which a large number of black-rimmed papers were pinned. Most of the writing was too small to decipher from where he sat, but he could just make out handwritten headings such as ORDER OF EDICT, followed by strings of numbers.
    The walls of the station were painted black from the floor up to a handrail, above which they were an off-white color, peeling in places and streaked with dirt. The ceiling itself was an unpleasant nicotine yellow with deep cracks running in every direction, like a road map of some unidentified country. On the wall directly above him was a picture of a forbidding looking building, with slits for windows and huge bars across its main entrance. Will could just make out the words NEWGATE PRISON written under it.
    Across from the boys ran a long counter, on which the policeman had placed their backpacks and Will's shovel, and beyond that was an office of some sort, where three desks were surrounded by a forest of narrow filing cabinets. A number of smaller rooms led off this main room, and from one came the rapid tapping of what could have been a typewriter.
    Just as Will was looking into the far corner of the room, where a profusion of burnished brass pipes ran up the walls like the stems of an ancient vine, there was a screeching hiss that ended with a solid clunk. The noise was so sudden that Chester sat up and blinked like a nervous rabbit, stirred from his anxious torpor.
    Another policeman emerged from a side room and hurried over to the brass pipes. There he glanced at a panel of antiquated dials from which a cascade of twisted wires spiraled down to a wooden box. Then he opened a hatch in one of the pipes, prying out a bullet-shaped cylinder the size of a small rolling pin. Unscrewing a cap from one end of it, he extracted a scroll of paper that crackled as he straightened it out to read it.
    "Styx on their way," he said gruffly, striding over to the counter and opening up a large