Twisted

Man.
    Anyway, the collar made the cop miss the best part of his beat.
    Every night for the last hour of his tour Tony Vincenzo would coincidentally on purpose find himself circling a block in the West Seventies, which just happened to be the site of the New York Concert Hall, a dark brown auditorium dating from the last century. The building was not well soundproofed. So, if he got close to a window, he could easily hear the performances. Tony considered this a perk of the job. And he felt entitled to it; he’d wanted to be a cop since he was a kid, but not just any cop—a detective. The problem was he was only in his mid-twenties and it was hard as hell for a youngster like that to get a gold shield these days. He’d have another four or five years of boring Patrol to get through before he’d even be considered for Detective Division.
    So as long as he was forced to walk a beat, he was going to walk a beat his way. With a perk or two. Forget free doughnuts and coffee; he wanted music.
    Which he loved almost as much as he loved being a cop.
    Any kind of music. He had Squirrel Nut Zippers CDs. He had Tony Bennett LPs from the fifties and Django Reinhardt disks from the forties. He had Diana Ross on 45s and Fats Waller on 78s. He had the Beatles’ White Album in every format known to man: CD, LP, eight-track, cassette, reel to reel. If they’d sold it on piano roll he’d have one of those too.
    Tony even loved classical music and had sincehe’d been a kid. Which, if you grew up in Bay Ridge, Brooklyn, was risky business and could get you pounded bad in the parking lot after school if you admitted it to anybody. But listen to it he did, and admit it he did. He came by this love from his parents. His mother had been a funeral parlor organist before she got pregnant with the first of Tony’s three older brothers. She’d quit the job but continued to play at home for the family on their old upright piano in the living room of their attached house on Fourth. Tony’s dad knew music too. He played the concertina and zither and owned probably a thousand LPs, mostly of opera and classic Italian songs.
    Tonight, as he walked up to the fire escape of the concert hall, where he liked to perch to listen to the performance, he heard the finale of a symphony, followed by enthusiastic applause and shouts. The New American Symphony Orchestra had been appearing, he saw from the poster, and they’d been playing an all-Mozart program. Tony clicked his tongue angrily, sorry he’d missed the show. Tony liked Mozart; his father had played his Don Giovanni LP until it wore out. (The old man would pace around the living room, nodding in time to the music, muttering, “Mozart is good, Mozart is good.”).
    The audience was leaving. Tony took a flyer about an upcoming concert and decided to hang around the stage door. Sometimes he got to talk to the musicians and that could be a big kick.
    He ambled up to the corner, turned right and walked right into the middle of a stickup.
    Twenty feet away, a young man in a ski mask, sweats and running shoes was holding a gun, protruding from the front pouch of his black sweatshirt, on a tall, immaculate man in a tuxedo—one of the musicians, about fifty-five or so. The mugger was after his violin.
    “No,” the man cried, “don’t take it. You can’t!”
    Drawing his service Glock, dropping into a crouch, Tony spoke into his mike, “Portable three eight eight four, robbery in progress at Seven Seven and Riverside. Need immediate backup. Suspect is armed.”
    The perp and the victim both heard and turned toward Tony.
    The mugger’s eyes went wide with fear as the policeman dropped further into a two-handed firing stance. “Hands in the air!” he screamed. “Now! Do it now!”
    But the boy was panicked. He froze for a moment then swung the musician in front of him, a shield. The tall man continued to clutch the violin case desperately.
    “Please! Don’t take it!”
    Hands shaking, Tony tried to sight on the mugger’s head. But what little skin was visible was as black as the mask and he blended with the shadows along the street. There was no clear target.
    “Don’t move,” the boy said, voice cracking. “I’ll kill him.”
    Tony stood upright, lifted his left hand, palm outward. “Okay, okay. Look, nobody’s hurt,” he said. “We can work this out.”
    Sirens sounded in the distance.
    “Gimme it!” the boy snapped to the musician.
    “No!” The tall man turned and swung