Who Do You Think You Are

everybody—except the teacher, of course, who locked the door at recess and stayed in the school, like Rose holding off till she got home, risking accidents and enduring agonies—everybody gathered to look in the entryway of the Boys’ Toilet when the word went round: Shortie McGill is fucking Franny McGill!
    Brother and sister.
    Relations performing.
    That was Flo’s word for it: perform . Back in the country, back on the hill farms she came from, Flo said that people had gone dotty, been known to eat boiled hay, and performed with their too-close relations. Before Rose understood what was meant she used to imagine some makeshift stage, some rickety old barn stage, where members of a family got up and gave silly songs and recitations. What a performance! Flo would say in disgust, blowing out smoke, referring not to any single act but to everything along that line, past and present and future, going on anywhere in the world. People’s diversions, like their pretensions, could not stop astounding her.
    Whose idea was this, for Franny and Shortie? Probably some of the big boys dared Shortie, or he bragged and they challenged him. One thing was certain: the idea could not be Franny’s. She had to be caught for this, or trapped. You couldn’t say caught, really, because she wouldn’t run, wouldn’t put that much faith in escaping. But she showed unwillingness, had to be dragged, then pushed down where they wanted her. Did she know what was coming? She would know at least that nothing other people devised for her ever turned out to be pleasant.
    Franny McGill had been smashed against the wall, by her father, drunk, when she was a baby. So Flo said. Another story had Franny falling out of a cutter, drunk, kicked by a horse. At any rate, smashed. Her face had got the worst of it. Her nose was crooked, making every breath she took a long, dismal-sounding snuffle. Her teeth were badly bunched together, so that she could not close her mouth and never could contain her quantities of spit. She was white, bony, shuffling, fearful, like an old woman. Marooned in Grade Two or Three, she could read and write a little, was seldom called on to do so. She may not have been so stupid as everybody thought, but simply stunned, bewildered, by continual assault. And in spite of everything there was something hopeful about her. She would follow after anybody who did not immediately attack and insult her; she would offer bits of crayon, knots of chewed gum pried off seats and desks. It was necessary to fend her off firmly, and scowl warningly whenever she caught your eye.
    Go away Franny. Go away or I’ll punch you. I will. I really will. The use Shortie was making of her, that others made, would continue. She would get pregnant, be taken away, come back and get pregnant again, be taken away, come back, get pregnant, be taken away again. There would be talk of getting her sterilized, getting the Lions Club to pay for it, there would be talk of shutting her up, when she died suddenly of pneumonia, solving the problem. Later on Rose would think of Franny when she came across the figure of an idiotic, saintly whore, in a book or a movie. Men who made books and movies seemed to have a fondness for this figure, though Rose noticed they would clean her up. They cheated, she thought, when they left out the breathing and the spit and the teeth; they were refusing to take into account the aphrodisiac prickles of disgust, in their hurry to reward themselves with the notion of a soothing blankness, undifferentiating welcome.
    The welcome Franny gave Shortie was not so saintly, after all. She let out howls, made ripply, phlegmy, by her breathing problems. She kept jerking one leg. Either the shoe had come off, or she had not been wearing shoes to start with. There was her white leg and bare foot, with muddy toes—looking too normal, too vigorous and self-respecting, to belong to Franny McGill. That was all of her Rose could see. She was small, and had got shoved to the back of the crowd. Big boys were around them, hollering encouragement, big girls were hovering behind, giggling. Rose was interested but not alarmed. An act performed on Franny had no general significance, no bearing on what could happen to anyone else. It was only further abuse.
    When Rose told people these things, in later years, they had considerable effect. She had to swear they were true, she was not exaggerating. And they were true, but the effect was off-balance. Her