Wolf Hall - Bring Up the Bodies
‘We all know where Harry Norris would like to lie tonight. Shelton is only his bedwarmer for now. He has royal ambitions. He will tell anyone. He is sick with love for the queen.’
‘I shall play cards,’ Jane Seymour says. ‘With myself, so there will be no undue losses. Master, is there any news of the Lady Katherine?’
‘I have nothing to tell you. Sorry.’
Lady Worcester’s glance follows him. She is a fine woman, careless and rather free-spending, no older than the queen. Her husband is away and he feels she too could run rather slowly, if he gave her the nod. But then, a countess. And he a humble master. And sworn to the road before sunrise.
They ride up-country towards Katherine without banner or display, a tight knot of armed men. It is a clear day and bitter cold. The brown tussocky land shows through layers of hard frost, and herons flap from frozen pools. Clouds stack and shift on the horizon, slate-grey and a mild deceptive rose; leading them from early afternoon is a silvered moon as mean as a clipped coin. Christophe rides beside him, growing more voluble and disgusted the further they travel from urban comfort. ‘ On dit the king chose a hard country for Katherine. He hopes the mould will get into her bones and she will die.’
‘He has no such thought. Kimbolton is an old house but very sound. She has every comfort. Her household costs the king four thousand pounds a year. It is no mean sum.’
He leaves Christophe to ponder that locution: no mean sum. At last the boy says, ‘Spaniards are merde , anyway.’
‘You watch the track and keep Jenny’s feet out of holes. Any spills and I’ll have you follow me home on a donkey.’
‘ Hi-han ,’ Christophe bellows, loud enough to make the men at arms turn in their saddles. ‘French donkey,’ he explains.
French fuckwit, one says, amiably enough. Riding beneath dark trees at the close of that first day’s travel, they sing; it lifts the tired heart, and dispels spirits lurking in the verges; never underestimate the superstition of the average Englishman. As this year closes, the favourite will be variations on the song the king wrote himself, ‘Pastime with good company/I love and shall until I die.’ The variations are only mildly obscene, or he would feel obliged to check them.
The landlord of their inn is a harassed wisp of a man, who does his futile best to find out whom he is entertaining. His wife is a strong, discontented young woman, with angry blue eyes and a loud voice. He has brought his own travelling cook. ‘What, my lord?’ she says. ‘You think we’d poison you?’ He can hear her banging around in the kitchen, laying down what shall and shan’t be done with her skillets.
She comes to his chamber late and asks, do you want anything? He says no, but she comes back: what, really, nothing? You might lower your voice, he says. This far from London, the king’s deputy in church affairs can perhaps relax his caution? ‘Stay, then,’ he tells her. Noisy she may be, but safer than Lady Worcester.
He wakes before dawn, so suddenly that he doesn’t know where he is. He can hear a woman’s voice from below, and for a moment he thinks he is back at the sign of the Pegasus, with his sister Kat crashing about, and that it is the morning of his flight from his father: that all his life is before him. But cautiously, in the dark chamber without a candle, he moves each limb: no bruises; he is not cut; he remembers where he is and what he is, and moves into the warmth the woman’s body has left, and dozes, an arm thrown across the bolster.
Soon he hears his landlady singing on the stairs. Twelve virgins went out on a May morning, it seems. And none of them came back. She has scooped up the money he left her. On her face, as she greets him, no sign of the night’s transaction; but she comes out and speaks to him, her voice low, as they prepare to ride. Christophe, with a lordly air, pays the reckoning to their host. The day is milder and their progress swift and without event. Certain images will be all that remain from his ride into middle England. The holly berries burning in their bushes. The startled flight of a woodcock, flushed from almost beneath their hooves. The feeling of venturing into a watery place, where soil and marsh are the same colour and nothing is solid under your feet.
Kimbolton is a busy market town, but at twilight the streets are empty. They have made no great speed, but it is
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