Xenocide (Ender Wiggins Saga)

onerous and difficult than usual. But she refused to give up. She was Han Fei-tzu's daughter, wasn't she? And in time, over the years, she learned what her father had learned: that one could live with the hunger, contain it, often for hours, like a bright fire encased in a box of translucent jade, a dangerous, terrible fire from the gods, burning within her heart.
    Then, when she was alone, she could open that box and let the fire out, not in a single, terrible eruption, but slowly, gradually, filling her with light as she bowed her head and traced the lines on the floor, or bent over the sacred laver of her holy washings, quietly and methodically rubbing her hands with pumice, lye, and aloe.
    Thus she converted the raging voice of the gods into a private, disciplined worship. Only at rare moments of sudden distress did she lose control and fling herself to the floor in front of a teacher or visitor. She accepted these humiliations as the gods' way of reminding her that their power over her was absolute, that her usual self-control was only permitted for their amusement. She was content with this imperfect discipline. After all, it would be presumptuous of her to equal her father's perfect self-control. His extraordinary nobility came because the gods honored him, and so did not require his public humiliation; she had done nothing to earn such honor.
    Last of all, her schooling included one day each week helping with the righteous labor of the common people. Righteous labor, of course, was not the work the common people did every day in their offices and factories. Righteous labor meant the backbreaking work of the rice paddies. Every man and woman and child on Path had to perform this labor, bending and stooping in shin-deep water to plant and harvest the rice-- or forfeit citizenship. "This is how we honor our ancestors," Father explained to her when she was little. "We show them that none of us will ever rise above doing their labor." The rice that was grown by righteous labor was considered holy; it was offered in the temples and eaten on holy days; it was placed in small bowls as offerings to the household gods.
    Once, when Qing-jao was twelve, the day was terribly hot and she was eager to finish her work on a research project. "Don't make me go to the rice paddies today," she said to her teacher. "What I'm doing here is so much more important."
    The teacher bowed and went away, but soon Father came into her room. He carried a heavy sword, and she screamed in terror when he raised it over his head. Did he mean to kill her for having spoken so sacrilegiously? But he did not hurt her-- how could she have imagined that he might? Instead the sword came down on her computer terminal. The metal parts twisted; the plastic shattered and flew. The machine was destroyed.
    Father did not raise his voice. It was in the faintest whisper that he said, "First the gods. Second the ancestors. Third the people. Fourth the rulers. Last the self."
    It was the clearest expression of the Path. It was the reason this world was settled in the first place. She had forgotten: If she was too busy to perform righteous labor, she was not on the Path.
    She would never forget again. And, in time, she learned to love the sun beating down on her back, the water cool and murky around her legs and hands, the stalks of the rice plants like fingers reaching up from the mud to intertwine with her fingers. Covered with muck in the rice paddies, she never felt unclean, because she knew that she was filthy in the service of the gods.
    Finally, at the age of sixteen, her schooling was finished. She had only to prove herself in a grown woman's task-- one that was difficult and important enough that it could be entrusted only to one who was godspoken.
    She came before the great Han Fei-tzu in his room. Like hers, it was a large open space; like hers, the sleeping accommodation was simple, a mat on the floor; like hers, the room was dominated by a table with a computer terminal on it. She had never entered her father's room without seeing something floating in the display above the terminal-- diagrams, threedimensional models, realtime simulations, words. Most commonly words. Letters or ideographs floating in the air on simulated pages, moving back and forward, side to side as Father needed to compare them.
    In Qing-jao's room, all the rest of the space was empty. Since Father did not trace woodgrain lines, he had no need for that much austerity. Even so,