Abbotsford and Newstead Abbey

cross.
    Among the relics from the Abbey which lay scattered before us, was a most quaint and antique little lion, either of red stone, or painted red, which hit my fancy. I forgot whose cognizance it was; but I shall never forget the delightful observations concerning old Melrose to which it accidentally gave rise. The Abbey was evidently a pile that called up all Scott’s poetic and romantic feelings; and one to which he was enthusiastically attached by the most fanciful and delightful of his early associations. He spoke of it, I may say, with affection. “There is no telling,” said he, “what treasures are hid in that glorious old pile. It is a famous place for antiquarian plunder; there are such rich bits of old time sculpture for the architect, and old time story for the poet. There is as rare picking in it as a Stilton cheese, and in the same taste—the mouldier the better.”
    He went on to mention circumstances of “mighty import” connected with the Abbey, which had never been touched, and which had even escaped the researches of Johnny Bower. The heart of Robert Bruce, the hero of Scotland, had been buried in it. He dwelt on the beautiful story of Bruce’s pious and chivalrous request in his dying hour, that his heart might be carried to the Holy Land and placed in the Holy Sepulchre, in fulfilment of a vow of pilgrimage; and of the loyal expedition of Sir James Douglas to convey the glorious relic. Much might be made, he said, out of the adventures of Sir James in that adventurous age; of his fortunes in Spain, and his death in a crusade against the Moors; with the subsequent fortunes of the heart of Robert Bruce, until it was brought back to its native land, and enshrined within the holy walls of old Melrose.
    As Scott sat on a stone talking in this way, and knocking with his staff against the little red lion which lay prostrate before him, his gray eyes twinkled beneath his shagged eyebrows; scenes, images, incidents, kept breaking upon his mind as he proceeded, mingled with touches of the mysterious and supernatural as connected with the heart of Bruce. It seemed as if a poem or romance were breaking vaguely on his imagination. That he subsequently contemplated something of the kind, as connected with this subject, and with his favorite ruin of Melrose, is evident from his introduction to “The Monastery;” and it is a pity that he never succeeded in following out these shadowy, but enthusiastic conceptions.
    A summons to breakfast broke off our conversation, when I begged to recommend to Scott’s attention my friend the little red lion, who had led to such an interesting topic, and hoped he might receive some niche or station in the future castle, worthy of his evident antiquity and apparent dignity. Scott assured me, with comic gravity, that the valiant little lion should be most honorably entertained; I hope, therefore, that he still flourishes at Abbotsford.
    Before dismissing the theme of the relics from the Abbey, I will mention another, illustrative of Scott’s varied humors. This was a human skull, which had probably belonged of yore to one of those jovial friars, so honorably mentioned in the old border ballad:
    “O the monks of Melrose made gude kale
On Fridays, when they fasted;
They wanted neither beef nor ale,
As long as their neighbors lasted.”
    This skull he had caused to be cleaned and varnished, and placed it on a chest of drawers in his chamber, immediately opposite his bed; where I have seen it, grinning most dismally. It was an object of great awe and horror to the superstitious housemaids; and Scott used to amuse himself with their apprehensions. Sometimes, in changing his dress, he would leave his neck-cloth coiled round it like a turban, and none of the “lasses” dared to remove it. It was a matter of great wonder and speculation among them that the laird should have such an “awsome fancy for an auld girning skull.”
    At breakfast that morning Scott gave an amusing account of a little Highlander called Campbell of the North, who had a lawsuit of many years’ standing with a nobleman in his neighborhood about the boundaries of their estates. It was the leading object of the little man’s life; the running theme of all his conversations; he used to detail all the circumstances at full length to everybody he met, and, to aid him in his description of the premises, and make his story “mair preceese,” he had a great map made of his estate, a huge roll several