Alpha Omega 02 - Hunting Ground
might be that the artist saw sompân. Sompân he out ter not have seen, wolf-kin.â He patted the cement arm she stood on, and she took a wary step back. âHappen though, he built me a friend, so weâre all happy. Even the Gray Lord, there, she thought it were funny. Didnât hardly hurt me at all for gettinâ seen and not tellinâ her.â
The fae could hide what they were. Could look just like anyone else. But the hunger that shone in his eyes when he looked at her was as immortal as she was and a lot older.
Her wolf didnât like him, and Anna narrowed her eyes at him and let him hear her growl. He should know that she was not prey.
He laughed again and slapped one thigh with a hand covered in a worn fingerless glove. âIfân I forgot meself so bad as to take a biteââhe snapped his teeth together and in the darkness under the bridge she saw the spark when they struckââsheâd chew me up and feed me to them great octopuses that live âround here, she would.â The thought seemed to amuse him. âThough a good meaty bit of wolf-flesh might be worth it.â
âTroll,â said Charles.
He had been having so much fun with Anna, heâd forgotten about the real threat. Reminded, he jerked around, crouched, and hissed.
Charles took out one of the plain gold studs he wore in his ears and tossed it at the fae, who caught it with inhu manly quick hands.
âTake your toll and go, Old One,â Charles said.
âHey, Jer,â came a worried and thin voice from above them. âYou donât go bothering them, or the policeâll have us outta here. You know they will.â
The troll in human guise held the bit of gold up to his nose and smelled. His face twitched, and his eyes swirled with an eerie blue light before they settled down and became just eyes again. âToll,â he said. âToll.â
âJerry?â
âNo troubles, Bill,â he called up to his . . . what . . . friends? His roommates, his bridgemates, who were more human than he. âJest saying good afternoon.â
He looked at Charles, and for a moment an oddly noble expression crossed his face, his back straightened, shoulders thrown back. In a clear, accentless voice he said, âWord of advice for your payment. Donât trust the fae.â He laughed again, devolving into the man whoâd greeted them in the first place, and scrambled up the hill and under the bridge.
Charles didnât say anything, but Anna slid off her perch and followed him back to the car.
âAre trolls really as big as that statue?â she asked, belting herself in.
âI donât know,â Charles answered. And smiled at the startled look she gave him. âI donât know everything. Iâve never seen a troll in its true form.â
She started the car. âA toll is supposed to be for crossing his bridge. We didnât cross the bridge.â
âBut we were trespassing. It seemed appropriate.â
âWhat about the advice he gave?â
He smiled again, his face lit with amusement. âYou know what they say, âDonât trust the fae.â â
âOkay.â It was a common piece of advice. The first thing people said and the main point of most stories about them. âEspecially when they tell us not to, I suppose. Where to now?â
âBack down the Troll road. See those docks down there? Dana lives on a houseboat at the foot of the troll.â
HEâd only visited Dana at her home once before, but Charles had no trouble finding it again: it didnât exactly blend in.
There were four docks; three of them had a number of boats of various kinds secured to them. The fourth had only one. A houseboat two stories tall, it looked like a miniature Victorian mansion, complete with gingerbread trim in every color of an ocean sunset: blue and orange, yellow and red.
Dana brought hiding in plain sight to a new level. None of her neighbors, except the fae themselves, knew what she was. She was powerful enough that she had been allowed to choose to expose herself or notâand sheâd chosen to continue hiding.
Charles was powerful, too. But he had no choice.
âThis is it?â Anna asked, âIt looks exactly like something a fairy should live in.â
âWait until you see the inside,â he told her.
For nearly two centuries he had been trekking along happily . . . or
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