Angel of Death

busy. A line of felons and night-walkers, the whores in striped hoods and each carrying a white wand, were being led off to the prison at the Tun in Cornhill. The stocks were also full with bakers and fishmongers, their foul produce being burnt under their noses. Another man accused of slander had a whetstone round his neck and a placard calling him a false liar for all to ridicule.
    As Corbett saw the whores he remembered Abigail, the woman who lived in de Montfort's house in Candlewick Street. Again he wondered if she had played a part in the murder. She had been present at the mass and de Montfort, never the most pleasant of people, had threatened her with public insult; any whore thrice convicted could be whipped from prison to the city bounds and told to abjure the city for ever. There again, and so Corbett dismissed the idea, if de Montfort's liaison with any courtesan was known, he too would be taken to the open prison at the Tun at Cornhill and there exposed all day for public ridicule. Corbett stopped to watch the chaos surrounding a huge canopied wagon which had overturned, spilling its produce out into the slushy show. The carter and his apprentices were driving off the urchins and would-be thieves. The confusion he was watching reflected what was going on in his own mind. Why should a man who had achieved so much risk it all in order to manage a brothel? De Montfort would have fallen from grace if that had become public knowledge. Perhaps the solution was to do with frustrated arrogance: de Montfort, having reached the pinnacle of his career, perhaps believed he could do things forbidden to others and specifically denied to priests?
    Corbett found Ranulf waiting for him and gave him some silver to go and purchase certain foodstuffs they needed; whilst he went to the shop of his banker, Gisors the goldsmith, a modest affair which seemed to argue against the accumulated wealth of the merchant. Inside, Corbett looked around at the neatly stacked leather trunks and the parchment rolls, each docketed and tagged, listing those who had banked with Gisors, to whom he had lent gold and at what rates. In spite of the Church's ruling about usury, the banking and depositing of money was now a thriving business in the capital. The goldsmith greeted Corbett with his usual subservience. The clerk was a regular and trusted customer, the sort, beloved by any banker, who deposits silver and gold and rarely takes away again. This morning, however, Corbett disappointed him. Usually, the clerk stayed and shared the gossip of the court and the palace, information, however petty, Gisors could always use. This morning the clerk was curt, absent-minded; he stated what he wanted and, once Gisors had counted the money out into a small leather purse, took it with a mutter of thanks and left the shop.
    Corbett breakfasted in the tavern where he was joined by Ranulf, who had spent a profitable hour buying the provisions they needed. He returned the little that was left of Corbett's silver.
    The clerk looked down at it. 'Is that all?'
    'Yes, Master.'
    Corbett groaned quietly. He had been so engrossed in this matter and other affairs of the court that he had neglected to keep an eye on his money. He had forgotten how the cruel winter would have sent the price of goods soaring. Two loaves usually cost a penny, but now the price had doubled; the same went for vegetables, meat, drink and anything brought into the city from the country. Once Ranulf had eaten, they left and went back up Cheapside towards St Paul's. The mist was beginning to lift and there were more people in the market-place. So immersed was Corbett in the coming meeting with Plumpton, giving half an ear to Ranulf s protests about the price of things, that neither he nor his servant noticed the young man with slit eyes, pock-marked face and long greasy hair, dressed completely in black, who had followed them from the tavern like a bird of evil omen. The fellow kept them under scrutiny until they entered the precincts of St Paul's, then he smiled and, with a nod of satisfaction, walked away.
    In the courtyard Corbett stopped so Ranulf could watch the end of a miracle play. The stage was set on a two-storied affair on wheels, the lower tier where the actors dressed, the upper for the play itself. The stage, and its brilliant backdrop of a grotesquely painted mouth of hell with demons leaping out of it, was topped by a roof and a huge silver griffin. The story was of the