Blood on My Hands
paving the way to a plea bargain. Only there’s something I still don’t understand. “Then why do they keep questioning me? Why don’t they just …?”
“Arrest you and charge you with the murder?” It sounds horrible when she says it out loud. “I’m not one hundred percent sure, Callie. Part of the reason, I suspect, is that there were no witnesses. So most of the evidence the police have is circumstantial. The other part may be that you’ve stuck to your story consistently, and no matter how many times they ask, you give them the same answers. And, in a trial, that could be enough to raise reasonable doubt.”
“Then why don’t they let me go?”
“I assume it’s because they’re still trying to build a case,” Gail says. “Under the law they can hold you for up to seventy-two hours. And I think they’re determined to do that, because you’ve demonstrated such a talent for avoiding capture. They’re afraid if they let you go, they may never see you again.”
There’s an irony, I can’t help thinking.
Gail clears her throat in an awkward way, and I sense there’s something else on her mind. “Listen, Callie, there’s something … I need to toss out to you just because … well, because I want to be completely honest with you. Based on the evidence they’ve shown me, I think we should at least consider the possibility that they may still charge and arrest you in Katherine’s murder. It would be foolish for us not to consider the possibility and start preparing for it.”
Why am I not surprised to hear her say this? “Prepare for it how?” I ask, because I know that’s what she expects.
“By considering the option of claiming it was self-defense.”
Huh? It takes a moment for me to grasp what she’s saying. Claiming self-defense means admitting I killed Katherine. It’s saying that she attacked me and I fought back, and in the process she died. “So, it’s like a plea bargain, right?”
“Well …” She hesitates. “Not exactly. You’re not pleading guilty to anything.”
“Except killing her,” I point out.
“In self-defense.”
“But that’s not what happened,” I answer.
It’s difficult to read Gail’s expression. I wonder if lawyers are taught to hide what they’re thinking. She leans forward, her gold hoop earrings swinging gently. “Callie, as a public defender it’s my job to represent you in the best way I know possible. Given the amount of evidence they have—the photo, the fingerprints on the knife—it may be difficult for a jury to believe you had nothing to do with the murder. However, I believe, based on your history with Katherine, specifically what happened in school, that we can make an argument that she attacked you and you defended yourself.”
I’m stunned. She’s saying I can go free … by admitting I killed Katherine. By doing the exact opposite of what I know I should do. It’s crazy. “What about Dakota? What about Griffen Clemment and the threatening texts?”
“His parents have hired a defense attorney. Griffen isn’t talking.”
“Doesn’t it mean he’s hiding something?” I ask.
“Not necessarily. He could be completely innocent, and his parents are just being careful. From what I hear, they can afford it. But it doesn’t matter. The police have got the record of the text messages he received. But we haven’t been able to link the phone they were sent from to Dakota Jenkins.”
“But who else would have sent them? They have to have come from her.”
Gail shrugs. “The law doesn’t work that way. We need real evidence linking Dakota to the phone that sent those texts and we don’t have it.”
“Then what about the knife that should be missing from the set at the Jenkinses’ home?”
Gail looks down at the table and then back at me. “I spoke to Congresswoman Jenkins. She checked the set of knives you talked about. They’re all there. She’s not missing any.”
“That can’t be! She’s lying! She knows what Dakota did and she’s trying to protect her. All they had to do was go out and buy a replacement knife. I’m telling you she—”
Gail raises her hand, gesturing for me to stop. “Callie, what made you think the knife came from Dakota’s house?”
“It was a special brand,” I explain. “I … The only time I’ve ever seen it was in Dakota’s kitchen. I can’t remember the name now, but it had two little stick-figure men against a red square background.”
Gail
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