Catching Fire

before someone takes out the attacker. The air grows heavy with trampled plants, the scent of blood, and the musty stink of the monkeys. Peeta and Finnick and I position ourselves in a triangle, a few yards apart, our backs to one another. My heart sinks as my fingers draw back my last arrow. Then I remember Peeta has a sheath, too. And he’s not shooting, he’s hacking away with that knife. My own knife is out now, but the monkeys are quicker, can spring in and out so fast you can barely react.
    “Peeta!” I shout. “Your arrows!”
    Peeta turns to see my predicament and is sliding off his sheath when it happens. A monkey lunges out of a tree for his chest. I have no arrow, no way to shoot. I can hear the thud of Finnick’s trident finding another mark and know his weapon is occupied. Peeta’s knife arm is disabled as he tries to remove the sheath. I throw my knife at the oncoming mutt but the creature somersaults, evading the blade, and stays on its trajectory.
    Weaponless, defenseless, I do the only thing I can think of. I run for Peeta, to knock him to the ground, to protect his body with mine, even though I know I won’t make it in time.
    She does, though. Materializing, it seems, from thin air. One moment nowhere, the next reeling in front of Peeta. Already bloody, mouth open in a high-pitched scream, pupils enlarged so her eyes seem like black holes.
    The insane morphling from District 6 throws up her skeletal arms as if to embrace the monkey, and it sinks its fangs into her chest.

Peeta drops the sheath and buries his knife into the monkey’s back, stabbing it again and again until it releases its jaw. He kicks the mutt away, bracing for more. I have his arrows now, a loaded bow, and Finnick at my back, breathing hard but not actively engaged.
    “Come on, then! Come on!” shouts Peeta, panting with rage. But something has happened to the monkeys. They are withdrawing, backing up trees, fading into the jungle, as if some unheard voice calls them away. A Gamemaker’s voice, telling them this is enough.
    “Get her,” I say to Peeta. “We’ll cover you.”
    Peeta gently lifts up the morphling and carries her the last few yards to the beach while Finnick and I keep our weapons at the ready. But except for the orange carcasses on the ground, the monkeys are gone. Peeta lays the morphling on the sand. I cut away the material over her chest, revealing the four deep puncture wounds. Blood slowly trickles from them, making them look far less deadly than they are. The real damage is inside. By the position of the openings, I feel certain the beast ruptured something vital, a lung, maybe even her heart.
    She lies on the sand, gasping like a fish out of water. Sagging skin, sickly green, her ribs as prominent as a child’s dead of starvation. Surely she could afford food, but turned to the morphling just as Haymitch turned to drink, I guess. Everything about her speaks of waste — her body, her life, the vacant look in her eyes. I hold one of her twitching hands, unclear whether it moves from the poison that affected our nerves, the shock of the attack, or withdrawal from the drug that was her sustenance. There is nothing we can do. Nothing but stay with her while she dies.
    “I’ll watch the trees,” Finnick says before walking away. I’d like to walk away, too, but she grips my hand so tightly I would have to pry off her fingers, and I don’t have the strength for that kind of cruelty. I think of Rue, how maybe I could sing a song or something. But I don’t even know the morphling’s name, let alone if she likes songs. I just know she’s dying.
    Peeta crouches down on the other side of her and strokes her hair. When he begins to speak in a soft voice, it seems almost nonsensical, but the words aren’t for me. “With my paint box at home, I can make every color imaginable. Pink. As pale as a baby’s skin. Or as deep as rhubarb. Green like spring grass. Blue that shimmers like ice on water.”
    The morphling stares into Peeta’s eyes, hanging on to his words.
    “One time, I spent three days mixing paint until I found the right shade for sunlight on white fur. You see, I kept thinking it was yellow, but it was much more than that. Layers of all sorts of color. One by one,” says Peeta.
    The morphling’s breathing is slowing into shallow catch-breaths. Her free hand dabbles in the blood on her chest, making the tiny swirling motions she so loved to paint with.
    “I haven’t figured out a