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Collected Prose

Collected Prose

Titel: Collected Prose Kostenlos Bücher Online Lesen
Autoren: Paul Auster
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surveyor of its shades.
    Whatever he does, then, he does for the sole purpose of subverting himself, of undermining his strength. If it is a matter of going on, he will do everything in his power not to go on. And yet he will go on. For even though he lingers, he is incapable of rooting himself. No pause conjures a place. But this, too, he knows. For what he wants is what he does not want. And if his journey has any end, it will only be by finding himself, in the end, where he began.
    He wanders. On a road that is not a road, on an earth that is not his earth, an exile in his own body. Whatever is given to him, he will refuse. Whatever is spread before him, he will turn his back on. He will refuse, the better to hunger for what he has denied himself. For to enter the promised land is to despair of ever coming near it. Therefore, he holds everything away from him, at arm’s length, at life’s length, and comes closest to arriving when farthest from his destination. And yet he goes on. And from one step to the next he finds nothing but himself. Not even himself, but the shadow of what he will become. For in the least stone touched, he recognizes a fragment of the promised land. Not even the promised land, but its shadow. And between shadow and shadow lives light. And not just any light, but this light, the light that grows inside him, unendingly, as he goes along his way.

    1974

The Death of Sir Walter Raleigh

    The Tower is stone and the solitude of stone. It is the skull of a man around the body of a man—and its quick is thought. But no thought will ever reach the other side of the wall. And the wall will not crumble, even against the hammer of a man’s eye. For the eyes are blind, and if they see, it is only because they have learned to see where no light is. There is nothing here but thought, and there is nothing. The man is a stone that breathes, and he will die. The only thing that waits for him is death.
    The subject is therefore life and death. And the subject is death. Whether the man who lives will have truly lived until the moment of his death, or whether death is no more than the moment at which life stops. This is an argument of act, and therefore an act which rebuts the argument of any word. For we will never manage to say what we want to say, and whatever is said will be said in the knowledge of this failure. All this is speculation.
    One thing is sure: this man will die. The Tower is impervious, and the depth of stone has no limit. But thought nevertheless determines its own boundaries, and the man who thinks can now and then surpass himself, even when there is nowhere to go. He can reduce himself to a stone, or he can write the history of the world. Where no possibility exists, everything becomes possible again.
    Therefore Raleigh. Or life lived as a suicide pact with oneself. And whether or not there is an art—if one can call it art—of living. Take everything away from a man, and this man will continue to exist. If he has been able to live, he will be able to die. And when there is nothing left, he will know how to face the wall.
    It is death. And we say “death,” as if we meant to say the thing we cannot know. And yet we know, and we know that we know. For we hold this knowledge to be irrefutable. It is a question for which no answer comes, and it will lead us to many questions that in their turn will lead us back to the thing we cannot know. We may well ask, then, what we will ask. For the subject is not only life and death. It is death, and it is life.
    At each moment there is the possibility of what is not. And from each thought, an opposite thought is born. From death, he will see an image of life. And from one place, there will be the boon of another place. America. And at the limit of thought, where the new world nullifies the old, a place is invented to take the place of death. He has already touched its shores, and its image will haunt him to the very end. It is Paradise, it is the Garden before the Fall, and it gives birth to a thought that ranges farther than the grasp of any man. And this man will die. And not only will he die–he will be murdered. An axe will cut off his head.
    This is how it begins. And this is how it ends. We all know that we will die. And if there is any truth we live with, it is that we die. But we may well ask the question of how and when, and we may well begin to ask ourselves if chance is not the only god. The Christian says not, and the suicide says

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