Collected Prose

him.
    Winter solstice: the darkest time of the year. No sooner has he woken up in the morning than he feels the day beginning to slip away from him. There is no light to sink his teeth into, no sense of time unfolding. Rather, a feeling of doors being shut, of locks being turned. It is a hermetic season, a long moment of inwardness. The outer world, the tangible world of materials and bodies, has come to seem no more than an emanation of his mind. He feels himself sliding through events, hovering like a ghost around his own presence, as if he were living somewhere to the side of himself—not really here, but not anywhere else either. A feeling of having been locked up, and at the same time of being able to walk through walls. He notes somewhere in the margins of a thought: a darkness in the bones; make a note of this.
    By day, heat gushes from the radiators at full blast. Even now, in coldest winter, he is forced to keep the window open. At night, however, there is no heat at all. He sleeps fully clothed, with two or three sweaters, curled up tightly in a sleeping bag. During the weekends, the heat is off altogether, both day and night, and there have been times lately when he has sat at his table, trying to write, and could not feel the pen in his hand anymore. In itself, this lack of comfort does not disturb him. But it has the effect of keeping him off balance, of prodding him into a state of constant inner watchfulness. In spite of what it might seem to be, this room is not a retreat from the world. There is nothing here to welcome him, no promise of a soma holiday to woo him into oblivion. These four walls hold only the signs of his own disquiet, and in order to find some measure of peace in these surroundings, he must dig more and more deeply into himself. But the more he digs, the less there will be to go on digging into. This seems undeniable to him. Sooner or later, he is bound to use himself up.
    When night comes, the electricity dims to half-strength, then goes up again, then comes down, for no apparent reason. It is as though the lights were controlled by some prankster deity. Con Edison has no record of the place, and no one has ever had to pay for power. At the same time, the phone company has refused to acknowledge A.’s existence. The phone has been here for nine months, functioning without a flaw, but he had not yet received a bill for it. When he called the other day to straighten out the problem, they insisted they had never heard of him. Somehow, he has managed to escape the clutches of the computer, and none of his calls has ever been recorded. His name is off the books. If he felt like it, he could spend his idle moments making free calls to faraway places. But the fact is, there is no one he wants to talk to. Not in California, not in Paris, not in China. The world has shrunk to the size of this room for him, and for as long as it takes him to understand it, he must stay where he is. Only one thing is certain: he cannot be anywhere until he is here. And if he does not manage to find this place, it would be absurd for him to think of looking for another.
    *

    Life inside the whale. A gloss on Jonah, and what it means to refuse to speak. Parallel text: Gepetto in the belly of the shark (whale in the Disney version), and the story of how Pinocchio rescues him. Is it true that one must dive to the depths of the sea and save one’s father to become a real boy?
    Initial statement of these themes. Further installments to follow.
    * * *

    Then shipwreck. Crusoe on his island. “That boy might be happy if he would stay at home, but if he goes abroad he will be the most miserable wretch that was ever born.” Solitary consciousness. Or in George Oppen’s phrase: “the shipwreck of the singular.”
    A vision of waves all around, water as endless as air, and the jungle heat behind. “I am divided from mankind, a solitaire, one banished from human society.”
    And Friday? No, not yet. There is no Friday, at least not here. Everything that happens is prior to that moment. Or else: the waves will have washed the footprints away.
    *

    First commentary on the nature of chance.
    This is where it begins. A friend of his tells him a story. Several years go by, and then he finds himself thinking about the story again. It is not that it begins with the story. Rather, in the act of remembering it, he has become aware that something is happening to him. For the story would not have occurred to him unless