Collected Prose
into my head, life-altering transfusions had reconstituted my blood. Nearly everything that is still important to me in the way of literature and philosophy I first encountered during those two years. Looking back on that time now, I find it almost impossible to absorb how many books I read. I drank them up in staggering numbers, consumed entire countries and continents of books, could never even begin to get enough of them. Elizabethan playwrights, pre-Socratic philosophers, Russian novelists, Surrealist poets. I read books as if my brain had caught fire, as if my very survival were at stake. One work led to another work, one thought led to another thought, and from one month to the next, I changed my ideas about everything.
The program turned out to be a bitter disappointment. I went to Paris with all sorts of grandiose plans, assuming I would be able to attend any lectures and courses I wanted to (Roland Barthes at the Collège de France, for example), but when I sat down to discuss these possibilities with the director of the program, he flat out told me to forget them. Out of the question, he said. You’re required to study French language and grammar, to pass certain tests, to earn so many credits and half-credits, to put in so many class hours here and so many hours there. I found it absurd, a curriculum designed for babies. I’m past all that, I told him. I already know how to speak French. Why go backward? Because, he said, those are the rules, and that’s the way it is.
He was so unbending, so contemptuous of me, so ready to interpret my enthusiasm as arrogance and to think I was out to insult him, that we immediately locked horns. I had nothing against the man personally, but he seemed bent on turning our disagreement into a personal conflict. He wanted to belittle me, to crush me with his power, and the longer the conversation went on, the more I felt myself resisting him. At last, a moment came when I’d had enough. All right, I said, if that’s the way it is, then I quit. I quit the program, I quit the college, I quit the whole damn thing. And then I got up from my chair, shook his hand, and walked out of the office.
It was a crazy thing to do. The prospect of not getting a B.A. didn’t worry me, but turning my back on college meant that I would automatically lose my student deferment. With the troop buildup in Vietnam growing at an alarming rate, I had suddenly put myself in a good position to be drafted into the army. That would have been fine if I supported the war, but I didn’t. I was against it, and nothing was ever going to make me fight in it. If they tried to induct me into the army, I would refuse to serve. If they arrested me, I would go to jail. That was a categorical decision—an absolute, unbudgeable stance. I wasn’t going to take part in the war, even if it meant ruining my life.
Still, I went ahead and quit college. I was utterly fearless about it, felt not the slightest tremor of hesitation or doubt, and took the plunge with my eyes wide open. I was expecting to fall hard, but I didn’t. Instead, I found myself floating through the air like a feather, and for the next few months I felt as free and happy as I had ever been.
I lived in a small hotel on the rue Clément, directly across from the Marché Saint-Germain, an enclosed market that has long since been torn down. It was an inexpensive but tidy place, several notches up from the fleabag I’d stayed in two years before, and the young couple who ran it were exceedingly kind to me. The man’s name was Gaston (stout, small mustache, white shirt, ever-present black apron), and he spent the bulk of his time serving customers in the café on the ground floor, a minuscule hole-in-the-wall that doubled as neighborhood hangout and hotel reception desk. That’s where I drank my coffee in the morning, read the newspaper, and became addicted to pinball. I walked a lot during those months, just as I had in Dublin, but I also spent countless hours upstairs in my room, reading and writing. Most of the work I did then has been lost, but I remember writing poems and translating poems, as well as composing a long, exhaustingly complex screenplay for a silent film (part Buster Keaton movie, part philosophical tap dance). On top of all the reading I’d done in the past two years, I had also been going to the movies, primarily at the Thalia and New Yorker theaters, which were no more than a short walk down Broadway from Morningside
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