Collected Prose
God—and that voice is still inside me, a voice so crystalline as to make the toughest person fall down and weep, and the remarkable thing about it was that no one paid the slightest attention to her. The rush-hour crowd rushed past her, and she just stood on the corner singing her song in the eerie, dusky, northern light, as oblivious of them as they were of her, a tiny bird in tattered clothes chanting her psalm to the broken heart.
Dublin is not a big city, and it didn’t take me long to learn my way around. There was something compulsive about the walks I took, an insatiable urge to prowl, to drift like a ghost among strangers, and after two weeks the streets were transformed into something wholly personal for me, a map of my inner terrain. For years afterward, every time I closed my eyes before going to sleep, I was back in Dublin. As wakefulness dribbled out of me and I descended into semiconsciousness, I would find myself there again, walking through those same streets. I have no explanation for it. Something important had happened to me there, but I have never been able to pinpoint exactly what it was. Something terrible, I think, some mesmerizing encounter with my own depths, as if in the loneliness of those days I had looked into the darkness and seen myself for the first time.
*
I started Columbia College in September, and for the next four years the last thing on my mind was money. I worked intermittently at various jobs, but those years were not about making plans, not about preparing for my financial future. They were about books, the war in Vietnam, the struggle to figure out how to do the thing I was proposing to do. If I thought about earning a living at all, it was only in a fitful, haphazard sort of way. At most I imagined some kind of marginal existence for myself—scrounging for crumbs at the far edges of the workaday world, the life of a starving poet.
The jobs I had as an undergraduate were nevertheless instructive. If nothing else, they taught me that my preference for blue-collar work over white-collar work was well founded. At one point in my sophomore year, for example, I was hired by the subdivision of a publishing company to write material for educational filmstrips. I had been subjected to a barrage of “audiovisual aids” during my childhood, and I remembered the intense boredom they invariably produced in me and my friends. It was always a pleasure to leave the classroom and sit in the dark for twenty or thirty minutes (just like going to the movies!), but the clunky images on screen, the monotone voice of the narrator, and the intermittent ping that told the teacher when to push the button and move on to the next picture soon took their toll on us. Before long, the room was abuzz with whispered conversations and frantic, half-suppressed giggles. A minute or two later, the spitballs would begin to fly.
I was reluctant to impose this tedium on another generation of kids, but I figured I’d do my best and see if I couldn’t put some spark into it. My first day on the job, the supervisor told me to take a look at some of the company’s past filmstrips and acquaint myself with the form. I picked out one at random. It was called “Government” or “Introduction to Government,” something like that. He set up the spool on a machine and then left me alone to watch the film. About two or three frames into it, I came across a statement that alarmed me. The ancient Greeks had invented the idea of democracy, the text said, accompanied by a painting of bearded men standing around in togas. That was fine, but then it went on to say ( ping: cut to a painting of the Capitol) that America was a democracy. I turned off the machine, walked down the hall, and knocked on the door of the supervisor’s office. “There’s a mistake in the filmstrip,” I said. “America isn’t a democracy. It’s a republic. There’s a big difference.”
He looked at me as if I had just informed him that I was Stalin’s grandson. “It’s for little children,” he said, “not college students. There’s no room to go into detail.”
“It’s not a detail,” I answered, “it’s an important distinction. In a pure democracy, everyone votes on every issue. We elect representatives to do that for us. I’m not saying that’s bad. Pure democracy can be dangerous. The rights of minorities need to be protected, and that’s what a republic does for us. It’s all spelled out in The Federalist
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