Complete Works

straight avenues of gin cases and bales of Manchester goods; the big door swinging noiselessly; the dim light of the place, so delightful after the glare of the streets; the little railed-off spaces amongst piles of merchandise where the Chinese clerks, neat, cool, and sad-eyed, wrote rapidly and in silence amidst the din of the working gangs rolling casks or shifting cases to a muttered song, ending with a desperate yell.  At the upper end, facing the great door, there was a larger space railed off, well lighted; there the noise was subdued by distance, and above it rose the soft and continuous clink of silver guilders which other discreet Chinamen were counting and piling up under the supervision of Mr. Vinck, the cashier, the genius presiding in the place — the right hand of the Master.
    In that clear space Almayer worked at his table not far from a little green painted door, by which always stood a Malay in a red sash and turban, and whose hand, holding a small string dangling from above, moved up and down with the regularity of a machine.  The string worked a punkah on the other side of the green door, where the so-called private office was, and where old Hudig — the Master — sat enthroned, holding noisy receptions.  Sometimes the little door would fly open disclosing to the outer world, through the bluish haze of tobacco smoke, a long table loaded with bottles of various shapes and tall water-pitchers, rattan easy-chairs occupied by noisy men in sprawling attitudes, while the Master would put his head through and, holding by the handle, would grunt confidentially to Vinck; perhaps send an order thundering down the warehouse, or spy a hesitating stranger and greet him with a friendly roar, “Welgome, Gapitan! ver’ you gome vrom?  Bali, eh?  Got bonies?  I vant bonies!  Vant all you got; ha! ha! ha!  Gome in!”  Then the stranger was dragged in, in a tempest of yells, the door was shut, and the usual noises refilled the place; the song of the workmen, the rumble of barrels, the scratch of rapid pens; while above all rose the musical chink of broad silver pieces streaming ceaselessly through the yellow fingers of the attentive Chinamen.
    At that time Macassar was teeming with life and commerce.  It was the point in the islands where tended all those bold spirits who, fitting out schooners on the Australian coast, invaded the Malay Archipelago in search of money and adventure.  Bold, reckless, keen in business, not disinclined for a brush with the pirates that were to be found on many a coast as yet, making money fast, they used to have a general “rendezvous” in the bay for purposes of trade and dissipation.  The Dutch merchants called those men English pedlars; some of them were undoubtedly gentlemen for whom that kind of life had a charm; most were seamen; the acknowledged king of them all was Tom Lingard, he whom the Malays, honest or dishonest, quiet fishermen or desperate cut-throats, recognised as “the Rajah-Laut” — the King of the Sea.
    Almayer had heard of him before he had been three days in Macassar, had heard the stories of his smart business transactions, his loves, and also of his desperate fights with the Sulu pirates, together with the romantic tale of some child — a girl — found in a piratical prau by the victorious Lingard, when, after a long contest, he boarded the craft, driving the crew overboard.  This girl, it was generally known, Lingard had adopted, was having her educated in some convent in Java, and spoke of her as “my daughter.”  He had sworn a mighty oath to marry her to a white man before he went home and to leave her all his money.  “And Captain Lingard has lots of money,” would say Mr. Vinck solemnly, with his head on one side, “lots of money; more than Hudig!”  And after a pause — just to let his hearers recover from their astonishment at such an incredible assertion — he would add in an explanatory whisper, “You know, he has discovered a river.”
    That was it!  He had discovered a river!  That was the fact placing old Lingard so much above the common crowd of sea-going adventurers who traded with Hudig in the daytime and drank champagne, gambled, sang noisy songs, and made love to half-caste girls under the broad verandah of the Sunda Hotel at night.  Into that river, whose entrances himself only knew, Lingard used to take his assorted cargo of Manchester goods, brass gongs, rifles and gunpowder.  His brig Flash, which